English author
Philip Pullman CBE (born October 19, 1946) is an English writer. He is the best-selling author of His Dark Materials, a trilogy of fantasy novels, and a number of other books.
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Alternative Names:
Sir Philip Pullman
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Sir Philip Nicholas Outram Pullman
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"one thing that I realized early on in thinking about this book, when I found, to my consternation, that I was writing a fantasy. I hadn't expected ever to write a fantasy, because I am not a great fantasy fan. But I realized that I could use the apparatus of fantasy to say things that I thought were true. Which was exactly what, I then realized, Milton had been doing with Paradise Lost. Paradise Lost is not a story of people and some other people who've got wings. It's not one of those banal fantasies that just rely on somebody having magic and someone dropping a ring down a volcano. Paradise Lost is a great psychological novel that happens to be cast in the form of a fantasy, because the devils and the angels are, of course, embodiments of psychological states. The portrait of Satan, especially in the Temptation scene (I think it's in Book 9), is a magnificent piece of psychological storytelling.
So it was possible to do, I realized, and with Milton as my encouragement, I launched into this book — which I reluctantly accept has to be called a fantasy. Finding physical embodiments for things that were not themselves physical was one of the ways I approached what I wanted to say. But then, that's what we do with metaphor all the time. That's the way metaphor works. The way metaphor works is not the way allegory works. Allegory works because the author says, "This means so-and-so, that means such-and-such, and this can only be understood in such-and-such a way. If you don't understand it like this, the book won't work."
It seems to me that some critics of mine, from the religious point of view, are treating my novel as if it were an allegory and they had the key to it. It is not an allegory, and they don't have the key to it, because there is no key apart from the sympathetic and open-minded understanding of the reader."
He showed me that to rebel was right and just, when you considered what the agents of the Authority did in His name.... And I thought of the Bolvangar children, and the other terrible mutilitations I have seen in our own southlands; and he told me of many more hideous cruelties dealt out in the Authority’s name—of how they capture witches, in some worlds, and burn them alive, sisters. Yes, witches like ourselves... He opened my eyes. He showed me things I had never seen, cruelties and horrors all committed in the name of the Authority, all designed to destroy the joys and the truthfulness of life.
When we were alive, they told us that when we died we'd go to heaven. And they said that heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That's what they said. And that's what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew. Because the land of the dead isn't a place of reward or a place of punishment, it is a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace. But now this child has come offering us a way out and I'm going to follow her. Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glistening in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
They’re often bracketed together, Tolkien and Lewis, which I suppose is fair because they were great friends — both Oxford writers and scholars, both Christians. Tolkien’s work has very little of interest in it to a reader of literature, in my opinion. When I think of literature — Dickens, George Eliot, Joseph Conrad — the great novelists found their subject matter in human nature, emotion, in the ways we relate to each other. If that’s what Tolkien’s up to, he’s left out half of it. The books are wholly male-oriented. The entire question of sexual relationships is omitted.
Then Lyra gave a cry so passionate that even in that muffled, mist-hung world it raised an echo, but of course it wasn’t an echo, it was the other part of her crying in turn from the land of the living as Lyra moved away into the land of the dead. “My heart, Will …” she groaned, and clung to him, her wet face contorted with pain. And thus the prophecy that the Master of Jordan College had made to the Librarian, that Lyra would make a great betrayal and it would hurt her terribly, was fulfilled.
Mr. Scoresby...told me there were truthtellers, and they needed to know what the truth was, so as to tell it. And there were liars, and they needed to know what the truth was, so they could change it or avoid it. And there were bullshitters, who didn't care about the truth at all. They weren't interested. What they spoke wasn't the truth and it wasn't lies; it was bullshit. All they were interested in was their own performance.