He questioned us one after the other. Each one of his questions — all of them very simple: Who were we? Why had we come? — caught us completely off our guard and seemed to probe our very insides. Who are you? Who am I? We could not answer him as we could a police official or a customs inspector. Give one's name and profession? What does that mean? But *who* are you? And *what* are you? The words we uttered — we had none better — were worthless, repugnant and grotesque as dead things. We realized that with the guides of Mount Analogue, we could no longer get away with just words.
French poet and novelist (1908–1944)
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Before having taken even the first steps, we were slipping toward disaster - yes, toward giving up. For to devote a single minute to satisfying idle curiosity amounted to abandoning our goal and betraying our word. All our enthusiasm for exploration suddenly struck us as trivial, along with the clever pretexts we had found for those pastimes.
Now, in my readings and in my travels I have heard, like you, about men of a superior type, possessing the keys to all our mysteries. Somehow I could not regard this as a simple allegory, this idea of an invisible humanity within visible humanity. Experience has proven, I told myself, that a man can reach truth neither directly nor alone; an intermediary must exist — still human in certain respects yet surpassing humanity in others. Somewhere on our Earth this superior humanity must exist, and it cannot be absolutely inaccessible. And so shouldn’t all my efforts be devoted to discovering it? Even if, in spite of my certainty, I were the victim of a monstrous illusion, I would have nothing to lose in making the effort, for in any case, without this hope, all life is meaningless. “But where to look? Where to begin? I had already traveled the world, stuck my nose everywhere, into all sorts of religious sects and mystical cults, but to each one it was always: maybe yes, maybe no. Why should I stake my life on this one rather than that one? You see, I had no touchstone.
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I've got a couple of other ideas. For instance, about the viscosity of sound. Sounds spread over surfaces, slide across polished floors, flow in gutters, pile up in corners, snap on ridges, fall like rain on mucous membranes, swarm on plexuses, flame up on body hair, and flutter on skin like warm air over summer fields. There are aerial battles where sound waves bounce back on themselves, start spinning and whirl between heaven and earth, like the indestructible regret of the suicide, who halfway down from the sixth floor all of a sudden no longer wants to die any more. There are words which do not reach their mark and roll up into roving balls, swollen with danger, like lightning does sometimes when it fails to find its target. There are words which freeze...
If I were to tell this story the way history is usually written or the way each of us recalls his own past, which means recording only the most glorious moments and inventing a new continuity for them, I should omit these little details and say that our eight stout hearts drummed from morning to night in time with a single all-encompassing desire — or some such lie. But the flame that kindles desire and illuminates thought never burned for more than a few seconds at a stretch. The rest of the time we tried to remember it.
Fortunately the demands of daily work, in which each of us had his vital role, reminded us that we had come aboard of our own free will, that we were indispensable to one another, and that we were on a ship — that is to say, in a temporary habitation, designed to transport us somewhere else. If anyone forgot it, someone else lost no time in reminding him.
On an experimental animal subject — the University not yet having authorized us to attempt a trial on a bishop in partibus, as we would prefer — we have tied, one by one, Corti fibers, that living harp, to the cones and rods of the retina. We have obtained, right on the macula lutea (which paradoxical as it may seem, is in keeping with our theory of concrete absences), the exact image of the guinea pig’s scream. The victim’s face presented all the signs of celestial bliss. The day we are allowed to avail ourselves of a subject of our choosing, we will be able to offer their Lordships the Ecclesiastics all the photophloxes of vespers, matins, complines, plainchants, antiphons, neumes, etc., they might need for their confounded ministries.
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I broke in, suggesting he should have a drink first so as to avoid the risk — to him — of having his tongue roll up into a ball and — to me — of having my lug-holes hammered at without doing my brains any good whatsoever.
He agreed with a gesture which consisted of holding up a small cask of Tokay at arm’s length above his head and my head respectively, the unimpeded flow from the open bung-hole sloshing into our stomachs in accordance with the method known as “never letting it touch the sides.”
Then he took up his story rather more clearly:
“The Kaffir, who tended the garden and looked after the chickens, in Cracow, used to sleep in the pigeon loft. He said it was ‘very good for the breath.’ One night, I had this terrifying dream. A huge corkscrew, which was the earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug but not hanging on so well, slither and stumble over the helix, and with my thoughts sent whirling down moving staircases made of a priori shapes. Suddenly, the fatal moment, there is a loud crack, my neck snaps, I fall flat on my face and I emerge in a splash of sparks before the Kaffir who had come to wake me. He says: ‘Did you have an attack of the nasties, then? Come and look at this.’ And he leads me to the pigeon loft and gets me to peep through a hole in the wall. I put my eye to it. I see a terrifying sight: a huge corkscrew, which was the Earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug, but not hanging on so well. …”
Eyes popping, the bumps on his forehead lit up, his moustache bristling, little Sidonius began the story again, which slotted into itself endlessly like the popular refrains everybody knows. He spoke feverishly, mangling his words. I listened, paralyzed with horror, at least ten times to his
Era tardi, quando ci mettemmo a bere. Pensavamo tutti che era ormai tempo di cominciare. Quel che c'era stato prima, non lo si ricordava più. Solo ci dicevamo che era già tardi. Sapere da dove ciascuno veniva, in qual punto del globo si era, o se veramente un globo (in ogni caso non era un punto), e il giorno del mese di quale anno, tutto ciò era troppo per noi. Non si sollevano questioni simili quando si ha sete.
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Я мертв, потому что у меня нет устремлений
У меня нет устремлений, потому что я думаю, что обладаю
Я думаю, что обладаю, потому что не пытаюсь дать
Пытаясь дать, понимаешь, что у тебя ничего нет
Поняв, что у тебя ничего нет, пытаешься отдать себя
Пытаясь отдать себя, понимаешь, что ты ничто
Поняв, что ты ничто, ты стремишься стать
Стремясь стать, ты начинаешь жить.
I am dead because I lack desire;
I lack desire because I think I possess;
I think I possess because I do not try to give.
In trying to give, you see that you have nothing;
Seeing you have nothing, you try to give of yourself;
Trying to give of yourself, you see that you are nothing;
Seeing you are nothing, you desire to become;
In desiring to become, you begin to live.