We are not capable of foreseeing the creative possibilities that this kind of deconstruction — the deconstruction of the old sacrificial system — produces. I think that we must examine our history and try to see whether, beneath what has already occurred, there are not additional layers of phenomena waiting to be revealed; whether some aspects of life that used to be constrained by the old sacrificial system are not going to flourish, other domains of knowledge, other ways of living. Everything that the Passion undid in the cultural sphere might well be an opening, an extraordinary source of enrichment. I am certain it is. One must also keep in mind what Jesus called the “signs of the times.”4
French historian, literary critic, and philosopher of social science
René Girard (December 25, 1923 – November 4, 2015) was a French historian, literary critic, and philosopher of social science. His work belongs to the tradition of anthropological philosophy.
From: Wikiquote (CC BY-SA 4.0)
Alternative Names:
Rene Girard
•
René Noël Théophile Girard
From Wikidata (CC0)
Showing quotes in randomized order to avoid selection bias. Click Popular for most popular quotes.
The most recent phase of the alternation between Occidentalism and primitivism has therefore concealed the essential thing, the universality of violence. A selective blindness in one of two forms has obscured the fact that all cultures, and all individuals without exception, participate in violence; that violence is what structures our collective sense of belonging and our personal identities.
The truth of mimetic theory is unacceptable to the majority of human beings, because it involves Christ. The Christian cannot help but think about the world as it is, and see its extreme fragility. I think that religious faith is the only way to live with this fragility. Otherwise all we're left with is Pascalian diversion and the negation of reality. I've gotten interested in Pascal again, by the way. His notion of diversion, or distraction, is so powerful! But it's clear there was something missing in his life: he never had any trouble getting along with people. And even though his youthful brilliance aroused jealousy, he never experienced rivalry, even in science. As a scientist, he understood the importance of diversion, of distraction. But he never knew rivalry in love, as Shakespeare and Cervantes did, for example; he had no way of seeing, as Racine did, the negation of desire in the very functioning of desire. Bizarrely, this is characteristic of the great French authors of the Renaissance.
The commandment to imitate Jesus does not appear suddenly in a world exempt from imitation; rather it is addressed to everyone that mimetic rivalry has affected. Non-Christians imagine that to be converted they must renounce an autonomy that all people possess naturally, a freedom and independence that Jesus would like to take away from them. In reality, once we imitate Jesus, we discover that our aspiration to autonomy has always made us bow down before individuals who may not be worse than we are but who are nonetheless bad models because we cannot imitate them without falling with them into the trap of rivalries in which we are ensnarled more and more.
There is nothing in the Gospels to suggest that God causes the mob to come together against Jesus. Violent contagion is enough. Those responsible for the Passion are the human participants them-selves, incapable of resisting the violent contagion that affects them all when a mimetic snowballing1 comes within their range, or rather when they come within the range of this snowballing and are swept along by it. We don't have to invoke the supernatural to explicate this. The war of all against all that transforms communities into a war of all against one that gathers and unifies them is not limited solely to the case of Jesus.
"Ogni mediazione proietta un suo miraggio; i miraggi si susseguono come altrettante "verità" che subentrino alle verità anteriori come una vera e propria uccisione del ricordo vivente e si proteggano dalle verità future con una censura implacabile dell'esperienza quotidiana. Marcel Proust chiama "Io" i "mondi" proiettati dalle successive mediazioni. Gli Io sono perfettamente isolati gli uni dagli altri, incapaci di rammentarsi degli Io passati o di presagire gli Io futuri."