Robinson Jeffers Quotes

There is no reason for amazement: surely one always knew that cultures decay, and life's end is death.

The beauty of things was born before eyes and sufficient to itself; the heartbreaking beauty

Will remain when there is no heart to break for it.

I decided not to tell lies in verse. Not to feign any emotions that I did not feel.

I've changed my ways a little, I cannot now
Run with you in the evenings along the shore,
Except in a kind of dream, and you, if you dream a moment,
You see me there.

This is my last worst pain,
the bitter enlightenment that buys peace.

"The old woman sits on a bench before the door and quarrels
With her meagre pale demoralized daughter.
Once when I passed I found her alone, laughing in the sun
And saying that when she was first married
She lived in the old farmhouse up Garapatas Canyon.
(It is empty now, the roof has fallen
But the log walls hang on the stone foundation; the redwoods
Have all been cut down, the oaks are standing;
The place is now more solitary than ever before.)
"When I was nursing my second baby
My husband found a day-old fawn hid in a fern-brake
And brought it; I put its mouth to the breast
Rather than let it starve, I had milk enough for three babies.
Hey how it sucked, the little nuzzler,
Digging its little hoofs like quills into my stomach.
I had more joy from that than from the others."
Her face is deformed with age, furrowed like a bad road
With market-wagons, mean cares and decay.
She is thrown up to the surface of things, a cell of dry skin
Soon to be shed from the earth's old eye-brows,
I see that once in her spring she lived in the streaming arteries,
The stir of the world, the music of the mountain."

The broken pillar of the wing jags from the clotted shoulder,
The wing trails like a banner in defeat,

No more to use the sky forever but live with famine
And pain a few days: cat nor coyote
Will shorten the week of waiting for death, there is game without talons.

He stands under the oak-bush and waits
The lame feet of salvation; at night he remembers freedom
And flies in a dream, the dawns ruin it.

He is strong and pain is worse to the strong, incapacity is worse.
The curs of the day come and torment him
At distance, no one but death the redeemer will humble that head,

The intrepid readiness, the terrible eyes.
The wild God of the world is sometimes merciful to those
That ask mercy, not often to the arrogant.

You do not know him, you communal people, or you have forgotten him;
Intemperate and savage, the hawk remembers him;
Beautiful and wild, the hawks, and men that are dying, remember him.

II

I'd sooner, except the penalties, kill a man than a hawk;
but the great redtail
Had nothing left but unable misery
From the bone too shattered for mending, the wing that trailed under his talons when he moved.

We had fed him six weeks, I gave him freedom,
He wandered over the foreland hill and returned in the evening, asking for death,
Not like a beggar, still eyed with the old
Implacable arrogance.

I gave him the lead gift in the twilight.
What fell was relaxed, Owl-downy, soft feminine feathers; but what
Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising
Before it was quite unsheathed from reality

Poetry is bound to concern itself chiefly with permanent aspects of life.

perhaps we desire death / or why is poison so sweet? / why do little Sirens make kindlier music / for a man caught in the net of the world between news-cast & work-desk?

We don't know enough, we'll never know.
Oh happy Homer, taking the stars and the Gods for granted.

I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting flash, of the splendor of things.

You making haste haste on decay: not blameworthy; life is good, be it stubbornly long or suddenly
A mortal splendor: meteors are not needed less than mountains: shine, perishing republic.

You have perhaps heard some false reports
On the subject of God. He is not dead; and he is not a fable. He is not mocked nor forgotten — Successfully. God is a lion that comes in the night. God is a hawk gliding among the stars — If all the stars and the earth, and the living flesh of the night that flows in between them, and whatever is beyond them
Were that one bird. He has a bloody beak and harsh talons, he pounces and tears — And where is the German Reich? There also
Will be prodigious America and world-owning China. I say that all hopes and empires will die like yours;
Mankind will die, there will be no more fools; wisdom will die; the very stars will die;
One fierce life lasts.

When I first went to Occidental College... there was a literary magazine...called the Aurora, and I remember thinking it odd that Occidental — the west, the setting sun — should be represented by a magazine called Aurora, the dawn. At least it gave us a wide range, the whole daylight sky. I was continually writing verses in those days. Nobody, not even I myself, thought they were good verses; but Aurora's editor accepted many of them and it gave me pleasure to see my rhymes in print. They did rhyme, if that is any value, and were usually metrical, but why was I so eager to publish what hardly anyone would read and no one would remember? I suppose the desire for publication is a normal part of the instinct for writing... the writer sits at home, and the mere fact of being printed provides his verses with a kind of audience... So, having his vanity partially satisfied, he can go ahead and try better work.

The beauty of things means virtue and value in them
It is in the beholder's eye, not the worlds? Certainly.
It is the human mind's translation of the transhuman
Intrinsic glory. It means the world is sound.