American writer (1876–1941)
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"Her thoughts ran away to her girlhood with its passionate longing for adventure and she remembered the arms of men that had held her when adventure was a possible thing for her. Particularly she remembered one who had for a time been her lover and who in the moment of his passion had cried out to her more than a hundred times, saying the same words madly over and over: "You dear! You dear! You lovely dear!" The words, she thought, expressed something she would have liked to have achieved in life."
Most philosophers must have been raised on chicken farms. One hopes for so much from a chicken and is so dreadfully disillusioned. Small chickens, just setting out on the journey of life, look so bright and alert and they are in fact so dreadfully stupid. They are so much like people they mix one up in one's judgments of life.
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In the beginning when the world was young there were a great many thoughts but no such thing as a truth. Man made the truths himself and each truth was a composite of a great many vague thoughts.
It was the truths that made the people grotesques. The moment one of the people took one of the truths to himself, called it his truth, and tried to live his life by it, he became a grotesque and the truth he embraced became a falsehood.
There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun. He shivers and looks eagerly about. The eighteen years he has lived seem but a moment, a breathing space in the long march of humanity. Already he hears death calling. With all his heart he wants to come close to some other human, touch someone with his hands, be touched by the hand of another. If he prefers that the other be a woman, that is because he believes that a woman will be gentle, that she will understand. He wants, most of all, understanding.
He was almost a poet in his old age and his notion of what happened took a poetic turn. 'I had come to the time in my life when prayer became necessary and so I invented gods and prayed to them,' he said. 'I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the gods came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she worshipped also the same gods. I have a notion that she came to the office because she thought the gods would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places.
The object of art is not to make salable pictures. It is to save yourself.
The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces.
There is no special trick about writing or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it....
The thing of course, is to make yourself alive. Most people remain all of their lives in a stupor.
The point of being an artist is that you may live....
You won't arrive. It is an endless search.
The story of Doctor Reefy and his courtship of the tall dark girl who became his wife and left her money to him is a very curious story. It is delicious, like the twisted little apples that grow in the orchards of Winesburg. In the fall one walks in the orchards and the ground is hard with frost underfoot. The apples have been taken from the trees by the pickers. They have been put in barrels and shipped to the cities where they will be eaten in apartments that are filled with books, magazines, furniture, and people. On the trees are only a few gnarled apples that the pickers have rejected. They look like the knuckles of Doctor Reefy's hands. One nibbles at them and they are delicious. Into a little round place at the side of the apple has been gathered all of its sweetness. One runs from tree to tree over the frosted ground picking the gnarled, twisted apples and filling his pockets with them. Only the few know the sweetness of the twisted apples.
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"Doctor Parcival shook with fright. "I have a presentiment," he declared emphatically. "It may be that what I am talking about will not occur this morning. It may be put off until tonight but I will be hanged. Everyone will get excited. I will be hanged to a lamp-post on Main Street." Going to the door of his dirty office, Doctor Parcival looked timidly down the stairway leading to the street. When he returned the fright that had been in his eyes was beginning to be replaced by doubt. Coming on tiptoe across the room he tapped George Willard on the shoulder. "If not now, sometime," he whispered, shaking his head. "In the end I will be crucified, uselessly crucified." Doctor Parcival began to plead with George Willard. "You must pay attention to me," he urged. "If something happens perhaps you will be able to write the book that I may never get written. The idea is very simple, so simple that if you are not careful you will forget it. It is this — that everyone in the world is Christ and they are all crucified. That's what I want to say. Don't you forget that. Whatever happens, don't you dare let yourself forget.