He wanted most of all the people of his own mind, people with whom he could really talk, people he could harangue and scold by the hour, servants, you see, to his fancy. Among these people he was always self-confident and bold. They might talk, to be sure, and even have opinions of their own, but always he talked last and best. He was like a writer busy among the figures of his brain, a kind of tiny blue-eyed king he was, in a six-dollar room facing Washington Square in the city of New York.
American writer (1876–1941)
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عشق مثل نسیمی یه که علف های زیر درخت ها رو توی یه شب تاریک تکون می ده . کسی نباید سعی کنه به عشق تحقق ببخشه . عشق یه حادثه متعالی تو زندگی یه . اگه سعی کنی به عشق تحقق ببخشی و ازش خاطر جمع بشی و زیر درخت ها , اونجا که نسیم لطیف شبانه ای می وزه زندگی کنی روزهای گرم و طولانی نارضایتی به سرعت از راه می رسن و گردو غبار گاری های در حال گذر روی لبای پر التهاب و ناسور از بوسه هات می شینن .
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In Winesburg, as in all Ohio towns of twenty years ago, there was a section in which lived day laborers. As the time of factories had not yet come, the laborers worked in the fields or were section hands on the railroads. They worked twelve hours a day and received one dollar for the long day of toil. The houses in which they lived were small cheaply constructed wooden affairs with a garden at the back. The more comfortable among them kept cows and perhaps a pig, housed in a little shed at the rear of the garden.
There was nothing particularly striking about them except that they were artists of the kind that talk. Everyone knows of the talking artists. Throughout all of the known history of the world they have gathered in rooms and talked. They talk of art and are passionately, almost feverishly, in earnest about it. They think it matters much more than it does.
The object of art is not to make salable pictures. It is to save yourself.
The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces.
There is no special trick about writing or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it....
The thing of course, is to make yourself alive. Most people remain all of their lives in a stupor.
The point of being an artist is that you may live....
You won't arrive. It is an endless search.
It would be better to give up the notion of writing until you are better prepared. Now it's time to be living. I don't want to frighten you, but I would like to make you understand the import of what you think of attempting. You must not become a mere peddler of words. The thing to learn is to know what people are thinking about, not what they say.
There is something memorable in the experience to be had by going to a fair ground that stands at the edge of a Middle Western town on a night after the annual fair has been held. The sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people. Here, during the day just passed, have come the people pouring in from the town and the country around. Farmers with their wives and children and all the people from the hundreds of little frame houses have gathered within these board walls. Young girls have laughed and men with beards have talked of the affairs of their lives. The place has been filled to overflowing with life. It has itched and squirmed with life and now it is night and the life has all gone away. The silence is almost terrifying. One conceals oneself standing silently beside the trunk of a tree and what there is of a reflective tendency in his nature is intensified. One shudders at the thought of the meaningless of life while at the same instant, and if the people of the town are his people, one loves life so intensely that tears come into the eyes.