Stefan Zweig Quotes

A doctor should never try to cure the incurable.

Adultery is in most cases a theft in the dark. At such moments almost every woman betrays her husband's innermost secrets; becomes a Delilah who discloses to a stranger, discloses to her lover, the mysteries of her husband's strength or weakness. What seems to me treason is, not that women give themselves, but that a woman is prone, when she does so, to justify herself to herself by uncovering her husband's nakedness, exposing it to the inquisitive and scornful gaze of a stranger.

When a dozen men are harnessed to the same cart, one always pulls harder than the others, and when it's a question of promotion and seniority, it's easy to tread on the toes of the man ahead of you. At every word one utters one has to be on one's guard; one's never quite sure whether it isn't going to arouse the disapproval of the big bugs; there's always a storm in the offing.

England rose before our eyes; the island girdled by the stormy waters in which all the continents of the globe are laved. In that sea-girt isle, the ocean holds sway. The cold and clear gaze of the watery element is reflected in the eyes of the inhabitants. Every one of the dwellers in that land is one of the sea-folk, is himself an island. The storms and dangers of the sea have left their mark, and live on to-day in these English, whose ancestors for centuries were vikings and sea-raiders. Now peace broods over the isle. But the dwellers therein, used to storms, crave for the lie of the sea with its daily perils. When it is denied them, they create its stormy likeness for themselves in blood-sports. They build wooden lists for beast-baiting. The voluptuous horror of the spectators is stimulated in bestial fashion by watching cock-fights or by looking on while bears are torn by dogs. Soon here is a demand for a loftier tension of the senses, such as can be derived from the spectacle of heroic human conflicts. Thus there grows out of the medieval religious mysteries, the great drama of human effort, in which the adventures and the voyages of earlier days are depicted - voyages no longer sailed on a real sea, but on the inner sea of man's feelings. A new infinity, another ocean with spring tides of passion and an uprush of the spirit; a determination to steer a course through the waters on which heretofore they were driven at the mercy of winds and waves - such are the new longings of the late-born and vigorous Anglo-Saxon race. Such is the origin of the Elizabethan drama.

It is never until one realizes that one means something to others that one feels there is any point or purpose in one's own existence.

It is not the healthy, the confident, the proud, the joyous, the happy, that one must love - they have no need of one's love! Arrogant and indifferent, they accept love only as homage that is theirs to command, as their due. The devotion of another is to them a mere embellishment, an ornament for the hair, a bracelet on the arm, not the whole meaning and bliss of their lives. Only those with whom life has dealt hardly, the wretched, the slighted, the uncertain, the unlovely, the humiliated, could really be helped by love. He who devotes his life to them atones to them for what life has taken from them. They alone know how to love and be loved as one should love - gratefully and humbly.

Whereas our old world is more than ever ruled by the insane attempt to breed people racially pure, like race-horses and dogs, the Brazilian nation for centuries has been built upon the principle of a free and unsuppressed miscegenation… It is moving to see children of all colours – chocolate, milk, and coffee – come out of their schools arm-in-arm… There is no colour-bar, no segregation, no arrogant classification… for who here would boast of absolute racial purity?

Someone who's on top of the world isn't much of an observer: happy people are poor psychologists. But someone who's troubled about something is on the alert. The perceived threat sharpens his senses - he takes in more than he usually does.

The vast power of money, mighty when you have it and even mightier when you don't, with its divine gift of freedom and the demonic fury it unleashes on those forced to do without it — they felt this as never before and were filled with bitter rage when, in the dark of the early morning, they saw the brightly lit windows and knew that those glowing gold curtains gave shelter and freedom to hundreds of thousands of people, men with women they desired, while they themselves were homeless, plodding blindly through the streets, through the rain; it was cruel as only the sea could be cruel — the sea in which a person can die of thirst.

There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul against the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.

The sight of a wedding always has a disturbing effect on young girls; at such moments a mysterious sense of solidarity with their own sex takes possession of them.

The feeling of self-assurance derived from physical achievement always transfers itself to the mental sphere.

Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.

The subject of a rumor is always the last to hear it.

Our decisions are to a much greater extent dependent on our desire to conform to the standards of our class and environment than we are inclined to admit. A considerable proportion of our reasoning is merely an automatic function, so to speak, of influences and impressions which have become part of us, and anyone who has been brought up from childhood in the stern school of military discipline is particularly apt to succumb to the hypnotic and compulsive force exercised by an order of word of command; a force which is logically entirely incomprehensible and which irresistibly undermines his will. In the straitjacket of a uniform, even though fully aware of their absurdity, an officer will carry out his instructions lie a sleep-walker, unresistingly and almost unconsciously.