He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire. Perhaps only a man can realize to the full the tragedy of such an undesired relationships; for him alone the necessity to resist t is at once martyrdom and guilt. For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off! Only a moment ago you felt free, you belonged to yourself and were in debt to no one, and now suddenly you find yourself pursued, hemmed in, prey and object of the unwelcome desires of another. Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fibre of her being, with her body, with her blood. She wants your hands, your hair, your lips, your manhood, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood. She carries you always within her, carries you about with her, no mater whither you may flee. Always you are imprisoned, held prisoner, somewhere else, in some other person, no longer yourself, no longer free and lighthearted and guiltless, but always hunted, always under an obligation, always conscious of this "thinking-of-you" as if it were a steady devouring flame. Full of hate, full of fear, you have to endure this yearning on the part of another, who suffers on your account; and I now know that it is the most senseless, the most inescapable, affliction that can befall a man to be loved against his will - torment of torments, and a burden of guilt where there is no guilt.

When a dozen men are harnessed to the same cart, one always pulls harder than the others, and when it's a question of promotion and seniority, it's easy to tread on the toes of the man ahead of you. At every word one utters one has to be on one's guard; one's never quite sure whether it isn't going to arouse the disapproval of the big bugs; there's always a storm in the offing.

Names have a mysterious transforming power. Like a ring on a finger, a name may at first seem merely accidental, committing you to nothing; but before you realize its magical power, it's gotten under your skin, become part of you and your destiny.

PREMIUM FEATURE
Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

England rose before our eyes; the island girdled by the stormy waters in which all the continents of the globe are laved. In that sea-girt isle, the ocean holds sway. The cold and clear gaze of the watery element is reflected in the eyes of the inhabitants. Every one of the dwellers in that land is one of the sea-folk, is himself an island. The storms and dangers of the sea have left their mark, and live on to-day in these English, whose ancestors for centuries were vikings and sea-raiders. Now peace broods over the isle. But the dwellers therein, used to storms, crave for the lie of the sea with its daily perils. When it is denied them, they create its stormy likeness for themselves in blood-sports. They build wooden lists for beast-baiting. The voluptuous horror of the spectators is stimulated in bestial fashion by watching cock-fights or by looking on while bears are torn by dogs. Soon here is a demand for a loftier tension of the senses, such as can be derived from the spectacle of heroic human conflicts. Thus there grows out of the medieval religious mysteries, the great drama of human effort, in which the adventures and the voyages of earlier days are depicted - voyages no longer sailed on a real sea, but on the inner sea of man's feelings. A new infinity, another ocean with spring tides of passion and an uprush of the spirit; a determination to steer a course through the waters on which heretofore they were driven at the mercy of winds and waves - such are the new longings of the late-born and vigorous Anglo-Saxon race. Such is the origin of the Elizabethan drama.

There is nothing that so raises a young man's self-esteem, that so contributes to the formation of his character as for him to find himself unexpectedly confronted with a task which he has to accomplish entirely on his own initiative and by his own efforts.

In my youth and comparative inexperience I had always regarded the yearning and pangs of love as the worst torture that could afflict the human heart. At this moment, however, I began to realize that there was another and perhaps grimmer torture than that of longing and desiring: that of being loved against one's will and of being unable to defend oneself against the urgency of another's passion; of seeing another human being seared by the flame of her desire and of having to look impotently, lacking the power, the capacity, the strength to pluck her from the flames. He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passim, he at least knows that he is himself to blame for his sufferings.

It is not the healthy, the confident, the proud, the joyous, the happy, that one must love - they have no need of one's love! Arrogant and indifferent, they accept love only as homage that is theirs to command, as their due. The devotion of another is to them a mere embellishment, an ornament for the hair, a bracelet on the arm, not the whole meaning and bliss of their lives. Only those with whom life has dealt hardly, the wretched, the slighted, the uncertain, the unlovely, the humiliated, could really be helped by love. He who devotes his life to them atones to them for what life has taken from them. They alone know how to love and be loved as one should love - gratefully and humbly.