American ethnobotanist and mystic (1946–2000)
Terence Kemp McKenna (November 16, 1946 – April 3, 2000) was an American writer, philosopher, and ethnobotanist, who advocated paths of shamanism, and the use of hallucinogenic substances (primarily plant-based psychedelics) as a means of increasing many forms of human awareness. His ideas often revolve around his novelty theory of the universe.
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From a historical point of view, restricting the availability of addictive substances must be seen as a peculiarly perverse example of Calvinist dominator thought - a system in which the sinner is to be punished in this world by being transformed into an exploitable, of his cash, by the criminal/governmental combine that provides the addicitve substances. The image is more horrifying than that of the serpent that devours itself - it is once again the Dionysian image of the mother who devours her children, the image of a house divided against itself.
I guess I should say a little bit about my method - I really am a fence sitter. I *loathe* Science and am always keen to attack it in most situations, though not here, because I love Reason and I'm perfectly aware of the difference. I also know what a concept means like Rules of Evidence. I'm not sure that's a concept as widely circulated in these circles as it needs to be - in other words, how *do* you tell shit from shinola? That's very critical. I think reason can only take us a certain distance, and then we have to go with the divine imagination, but with all safety systems fully in operation, or the divine imagination will lead us into complete paranoia.
The psychedelic community has not yet recognized or named itself as a community. We are well behind gays and black people and all those other minorities … we are still trying to figure out if we are a community. And if we are a community, and we have a domain of action, I think where it lies—it's not that we are all supposed to become dope dealers, it's that we are all supposed to become artists; that the transformation of culture through art is the proper understanding of what you can do with psychedelics besides blow your own mind. And I really think, you know, what we need to do is put the art-pedal to the floor, and understand that this is art—we are involved in some kind of enormous piece of performance art called Western civilization, and, you know, it's been a C-minus performance so far … and they are just about to reach out with the hook and drag us offstage, unless we begin pulling rabbits out of the hat pretty furiously.
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