The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.

It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray.

At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing.
But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.

Feminism is a tremendously underestimated force, viewed in the present context primarily as a woman's concern. The understanding has not yet percolated throughout society that the advancement of women is a program vitally connected to the survival of human beings as a species. The reason for this is simply that institutions take on the character of the atoms which compose them, and what we are most menaced by in the twentieth century are dehumanized institutions. If women played a major role in policy formation and execution on the part of these institutions, I think they would have a far more benign and ecologically sensitive kind of character. So I see feminism not as a kind of war between the sexes or any of these stereotypic images, but as actually a kind of effort to shift the ratios of our emphasis that is expressed through our institutions.

The apocalypse is not something which is coming. The apocalypse has arrived in major portions of the planet and it’s only because we live within a bubble of incredible privilege and social insulation that we still have the luxury of anticipating the apocalypse.

When we look within ourselves with psilocybin, we discover that we do not have to look outward toward the futile promise of life that circles distant stars in order to still our cosmic loneliness. We should look within; the paths of the heart lead to nearby universes full of life and affection for humanity.

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Rod Dickinson: In fact, the whole phenomenon is more like a large collective work of art, involving circle-makers, investigators, the media, and just about anybody who comes into contact with the circles. It's a kind of mind virus: once you get involved, you can't get out.<p>Terence McKenna: Absolutely. All these phenomena—UFOs, crop circles, even the cattle mutilation in the states—are all artifice in one form or another. All this stuff, these are fluctuations in the syntactical machinery of reality. The main thing to understand is that we are imprisoned in some kind of work of art.

"There are processes, nuclear waste build-up, urbanization, land disturbance, there are processes which, if allowed to run on indefinitely, would wreck the whole system and pitch it into chaos. Buy Confucius said "No tree grows to heaven," and what he meant by that was: it's fruitless to project any process to infinity because any process projected to infinity creates some kind of catastrophic scenario. If no fruit flies died in six months the Earth would spin out of its orbit from the weight of fruit flies. Now, I don't thing that's true. (laughs) But what an image!"

What is important is to understand the true boundaries of reality, not the probable boundaries of possible future events. Although boundary conditions operate on the future, they are probabilistic constraints, not absolutely determined fact. We assume that ten minutes hence, the room we are in will still exist. It is a boundary condition that will define the next ten minutes in our space/time coordinate. But we cannot know who will be in the room ten minutes hence; that is free to be determined. One may ask if we can really know that the room will exist at any future moment. This is where induction enters the picture, since in truth we cannot know with certainty. There is no absolutely rigorous way of establishing that. But we can make the inductive leap of faith that has to do with accumulated experience. We project that the existence of the room will remain a boundary condition, but in principle in the next ten minutes there could be an earthquake and this building might not be left standing. However, for that to happen, the boundary condition will have to be radically disrupted in some unexpected and improbable manner. What is so curious is that such a thing could occur.

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Nature loves courage. And I said, what's the payoff on that? And it said, it shows you that it loves courage because it will remove obstacles. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under. It will lift you up.This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold. This is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. It's done by hurling yourself into the abyss and discovering that it's a feather bed.

Virtual reality is a fairly new concept to us; but once you grok it, it seems clear that any civilization that was capable of starflight and longevity extension, and so forth and so on, would also have a full VR toolkit under control. Well then, that means that when we go looking for the extraterrestrial, what will be the footprint? Perhaps vanished races are all around us, but downloaded into solid-state matrices that we have only recently come to the point where we could even recognize that possibility.