Terence McKenna Quotes

Novelty is density of connection. … We are in the grip of some kind of an attractor, and when we look back at history, we can have a sense, I think, that we have never been here before. But we are so accustomed to causal thought, that we assume we have been pushed here, pushed here by historical necessity, by bad political decisions, by the vicissitudes of evolution (cultural and otherwise). I don't think so. I think we have been pulled here, that we are under the aegis of a kind of an attractor. Some people would call it a "destiny", but what it is is a dream that is pulling us deeper and deeper into the adventure of existential becoming. And faster and faster—that's the other thing. Deeper and deeper, faster and faster, so that the rate of change that people were accustomed to before the Industrial Revolution, for example—we can barely conceive of such slow-moving, stately, meta-stable societies. On the other hand, within the 20th Century, the acceleration has been even more intense, and continues to accelerate.

Rod Dickinson: In fact, the whole phenomenon is more like a large collective work of art, involving circle-makers, investigators, the media, and just about anybody who comes into contact with the circles. It's a kind of mind virus: once you get involved, you can't get out.<p>Terence McKenna: Absolutely. All these phenomena—UFOs, crop circles, even the cattle mutilation in the states—are all artifice in one form or another. All this stuff, these are fluctuations in the syntactical machinery of reality. The main thing to understand is that we are imprisoned in some kind of work of art.

The Beliefs of a Witoto shaman and the beliefs of a Princeton phenomenologist have an equal chance of being correct, and there are no arbiters of who is right. Here is something we have not assimilated. We have been to the moon, we have charted the depths of the ocean and the heart of the atom, but we have a fear of looking inward to ourselves, because we sense that is where all the contradictions flow together.

It is now very clear that techniques of machine–human interfacing, pharmacology of the synthetic variety, all kinds of manipulative techniques, all kinds of data storage, imaging and retrieval techniques—all of this is coalescing toward the potential of a truly demonic or angelic kind of self-imaging of our culture. … And the people who are on the demonic side are fully aware of this and hurrying full-tilt forward with their plans to capture everyone as a 100% believing consumer inside some kind of a beige furnished fascism that won't even raise a ripple.

My notion of what the psychedelic experience is, for us, that we each must become like fishermen, and go out on to the dark ocean of mind, and let our nets down into that sea. And what you're after is not some behemoth that will tear through your nets, follow them and drag you in your little boat, you know, into the abyss; nor are what we're looking for a bunch of sardines that can slip through your net and disappear. Ideas like, "Have you ever noticed that your little finger exactly fits your nostril?", and stuff like that. What we are looking for are middle-size ideas, that are not so small that they are trivial, and not so large that they're incomprehensible. Middle-size ideas we can wrestle into our boat and take back to the folks on shore, and have fish dinner. And every one of us, when we go into the psychedelic state, this is what we should be looking for. It's not for your elucidation, it's not part of your self-directed psychotherapy. You are an explorer, and you represent our species, and the greatest good you can do is to bring back a new idea, because our world is in danger by the absence of good ideas. Our world is in crisis because of the absence of consciousness. And so, to whatever degree any one of us can bring back a small piece of the picture and contribute it to the building of the new paradigm, then we participate in the redemption of the human spirit, and that, after all, is what it's really all about.

We are being sucked into the body of eternity.

For approximately 500 years, [science's] argument for its pre-eminence was that it could create beautiful toys: aircraft, railroads, global economies, television, spacecraft. But that is a fool's argument for truth! I mean, that's, after all, how a medicine show operates, you know: the juggler is so good, the medicine must be even better! This is not an entirely rational way to proceed.

I've been thinking like this since 1968, talking about it like this since 1980, but I never knew what … how it would come or what it would be. In the last few years, with the rise of a technological, a cultural artefact like the Internet, I now see how it will make its way into the world. We are building the nervous system of the human oversoul. We are individual units operating under social rules that are pushing us ever closer toward dissolving our societies … societies—human groups run by rules—into telepathic collectivities of some sort. … We have come to the end of our sojourn in matter. We have come to the end of our separateness.

History is a set of nested resonances with each epoch being shorter than the one that preceded it. This event horizon is like a series of ghost horizons, and once you enter into history, you enter into the outer shell of the temporal field of the attractor or the concrescence.

The mushroom speaks to you when you speak to it. In the introduction to the book that my brother and I wrote (under pseudonyms) called Psilocybin: Magic Mushroom Grower's Guide, there is a mushroom monologue that begins: "I am old, fifty times older than thought in your species, and I came from the stars." Sometimes it's very human. My approach to it is Hasidic. I rave at it; it raves at me. We argue about what it is going to cough up and what it isn't. I say, "Well, look, I'm the propagator, you can't hold back on me," and it says, "But if I showed you the flying saucer for five minutes, you would figure out how it works," and I say, "Well, come through." It has many manifestations. Sometimes it's like Dorothy of Oz; sometimes it's like a very Talmudic sort of pawnbroker. I asked it once, "What are you doing on Earth?" It said, "Listen, if you're a mushroom, you live cheap; besides, I'm telling you, this was a very nice neighborhood until the monkeys got out of control."

The alternative physics is a physics of light. Light is composed of photons, which have no antiparticle. This means that there is no dualism in the world of light. The conventions of relativity say that time slows down as one approaches the speed of light, but if one tries to imagine the point of view of a thing made of light, one must realize that what is never mentioned is that if one moves at the speed of light, there is no time whatsoever. There is an experience of time zero. … The only experience of time that one can have is of a subjective time that is created by one's own mental processes, but in relationship to the Newtonian universe, there is no time whatsoever. One exists in eternity, one has become eternal, the universe is aging at a staggering rate all around one in this situation, but that is perceived as a fact of this universe—the way we perceive Newtonian physics as a fact of this universe. One has transited into the eternal mode. One is then apart from the moving image; one exists in the completion of eternity.

There is a spiritual obligation, there is a task to be done. It is not, however, something as simple as following a set of somebody else's rules. The noetic enterprise is a primary obligation toward being. Our salvation is linked to it. Not everyone has to read alchemical texts or study superconducting biomolecules to make the transition. Most people make it naively by thinking clearly about the present at hand, but we intellectuals are trapped in a world of too much information. Innocence is gone for us. We cannot expect to cross the rainbow bridge through a good act of contrition; that will not be sufficient. We have to understand. Whitehead said, "Understanding is the apperception of pattern as such"; to fear death is to misunderstand life. Cognitive activity is the defining act of humanness. Language, thought, analysis, art, dance, poetry, myth-making: these are the things that point the way toward the realm of the eschaton. We humans may be released into a realm of pure self-engineering. The imagination is everything. This was Blake's perception. This is where we came from. This is where we are going. And it is only to be approached through cognitive activity.

Because the fact is, what blinds us to the presence of alien intelligence is linguistic and cultural bias operating on ourselves. The world which we perceive is a tiny fraction of the world which we can perceive, which is a tiny fraction of the perceivable world, you see. We operate on a very narrow slice based on cultural conventions. So the important thing, if synergizing progress is the notion to be maximized (and I think it's the notion to be maximized), is to try and locate the blind spot in the culture—the place where the culture isn't looking, because it dare not—because if it were to look there, its previous values would dissolve, you see. For Western Civilization, that place is the psychedelic experience as it emerges out of nature.

Nature loves courage. And I said, what's the payoff on that? And it said, it shows you that it loves courage because it will remove obstacles. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under. It will lift you up.This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold. This is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. It's done by hurling yourself into the abyss and discovering that it's a feather bed.

It is the common vice of all, in old age, to be too intent upon our interests.