What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism.
British writer, academic and educator
Terence Francis Eagleton FBA (born February 22, 1943) is a British literary theorist, critics and philosopher. Eagleton is a Distinguished Professor of English Literature at Lancaster University, and as a former Visiting Professor at the National University of Ireland.
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Ideology consist of a specific objective level, of a relatively coherent ensemble of representations, values and beliefs: just as 'men', the agents within a formation, participate in an economic and political activity, they also participate in religious, moral, aesthetic and philosophical activities. Ideology concerns the world in which men live, their relations to nature, to society, to other men and to their own activity including their own economic and political activity. The status of the ideological derives from the fact that it reflects the manner in which the agents of a formation, the bearers of its structures, live their conditions of existence; i.e. it reflects their relation to these conditions as it is 'lived' by them. Ideology is present to such an extent in all the agents' activities that it becomes indistinguishable from their lived experience. To this extent ideologies fix in a relatively coherent universe not only a real but also and imaginary relation: i.e. men's real relation to their conditions of existence in the form of an imaginary relation. This means that in the last analysis ideologies are related to human experience without being thereby reduced to a problematic of the subject—consciousness. This social-imaginary relation, which performs a real practical—social function, cannot be reduced to the problematic of alienation and false consciousness.
Cultural theory as we have it promises to grapple with some fundamental problems, but on the whole fails to deliver. It has been shamefaced about morality and metaphysics, embarrassed about love, biology, religion and revolution, largely silent about evil, reticent about death and suffering, dogmatic about essences, universals and foundations, and superficial about truth, objectivity and disinterestedness. This, on any estimate, is rather a large slice of human existence to fall down on. It is also, as we have suggested before, rather an awkward moment in history to find oneself with little or nothing to say about such fundamental questions.
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