Tom Stoppard Quotes

If you want to change something by Tuesday, theater is no good. Journalism is what does that.

But, if you want to just alter the chemistry of the moral matrix, then theater has a longer half-life.

GUIL: I think I have it. A man talking sense to himself is no madder then a man talking nonsense not to himself.
ROS: Or just as mad.
GUIL: Or just as mad.
ROS: And he does both.
GUIL: So there you are.
ROS: Stark raving sane.

The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.

Audiences know what to expect, and that is all that they are prepared to believe in.

VALENTINE: Are you talking about Lord Byron, the poet?

BERNARD: No, you fucking idiot, we're talking about Lord Byron, the chartered accountant.

Michael: "March here, march there, present arms, where's your cap?" — you've no idea, the whole Army's obsessed with playing at soldiers.

Herzen: Marx is a bourgeois from the anus up. Natalie : Alexander! I won't have that word... Herzen: Sorry, middle-class.

Language is a finite instrument crudely applied to an infinity of ideas, and one consequence of the failure to take account of this is that modern philosophy has made itself ridiculous by analysing such statements as, "This is a good bacon sandwich," or, "Bedser had a good wicket."

What do I want?
Nothing which you'd call indecent, though I don't see what's wrong with it myself. You want to be brothers-in-arms, to have him to yourself... to be shipwrecked together, (to) perform valiant deeds to earn his admiration, to save him from certain death, to die for him - to die in his arms, like a Spartan, kissed once on the lips... or just run his errands in the meanwhile. You want him to know what cannot be spoken, and to make the perfect reply, in the same language.

Independence isn't all it's cracked up to be, you know. What country could be more independent than Russia? And in Russia now there isn't a squeak or a pinpoint of light. I have nowhere to publish. The Contemporary has stuck its head up out of harm's way. So I've stopped quarrelling with the world. I sat in this chair the first morning I woke up in this house ... and for the first time ... for a long time, there was silence. I didn't have to talk or think or move, nothing was expected of me, I knew nobody and nobody knew where i was, everything was behind me, all the moving from place to place, the quarrels and celebrations, the desperate concerns of health and happiness, love, death, printer's errors, picnics ruined by rain, the endless tumult of life ... and I just sat quiet and alone all day, looking at the tops of trees on Primrose Hill through the mist.

Words... They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good any more... I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead.

Wheels have been set in motion, and they have their own pace, to which we are...condemned. Each move is dictated by the previous one - that is the meaning of order. If we start being arbitrary it'll just be a shambles: at least, let us hope so. Because if we happened, just happened to discover, or even suspect, that our spontaneity was part of their order, we'd know that we were lost. A Chinaman of the T'ang Dynasty - and, by which definition, a philosopher - dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; his two-fold security.

It would have been nice to have had unicorns.

We ransomed our dignity to the clouds.

We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.