Wagner: There were printers getting more than journalists!
Milne: Yes, I know, but you make it sound as if the natural order has been overthrown. Fish sing in the streets, rivers run uphill, and the printers are getting more than the journalists. Okay — you're worth more than a printer. But look at some of this — "We find the vanishing vicar of Lovers' Leap!" "Sally Smith is a tea lady in a Blackpool engineering works, but it was the way she filled those C-cups which got our cameraman all stirred up!" It's crap. And it's written by grown men earning maybe ten thousand a year. If I was a printer, I'd look at some of the stuff I'm given to print, and I'd ask myself what is supposed to be so special about the people who write it — is that radical enough for you — Dick?
British playwright (born 1937)
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WILDE: Oh — Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made — the piece of ice in the fist you cannot hold or let go. (He weeps.)