American writer, sociologist, and professor
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The real criticism was directed at her turn to slavery: “back in the slave days I would’ve never been single. I am six feet tall and I am strong! I’m just saying back in the slave days my love life would have been way better. Massa would’ve hooked me up with the best brother on the plantation.” It hurts to watch the video.
That Nyong’o was atop a list of the world’s most beautiful people does not invalidate the reality for many dark-skinned black women any more than Mark Zuckerburg making a billion dollars as a college drop-out invalidates the value of college for millions. Indeed, any system of oppression must allow exceptions to validate itself as meritorious. How else will those who are oppressed by the system internalize their own oppression
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Whiteness exists as a response to blackness. Whiteness is a violent sociocultural regime legitimized by property to always make clear who is black by fastidiously delineating who is officially white. It would stand to reason that beauty’s ultimate function is to exclude blackness. That beauty also violently conditions white women and symbolically precludes the existence of gender nonconforming people is a bonus.
When beauty is white and I am dark, it means that I am more likely to be punished in school, to receive higher sentences for crimes, less likely to marry, and less likely to marry someone with equal or higher economic status.16 Denying these empirical realities is its own kind of violence, even when our intentions are good. They say that beauty is in the eye of the beholder and that ugly is as ugly does. Both are lies. Ugly is everything done to you in the name of beauty. Knowing the difference is part of getting free.
Our dominant story of beauty is that it is simultaneously a blessing, of genetics or gods, and a site of conversion. You can become beautiful if you accept the right prophets and their wisdoms with a side of products thrown in for good measure. Forget that these two ideas — unique blessing and earned reward — are antithetical to each other. That makes beauty all the more perfect for our (social and political) time, itself anchored in paradoxes like freedom and property, opportunity and equality.