British novelist, poet, playwright and Nobel Prize for Literature laureate (1911–1993)
Sir William Golding (19 September 1911 – 19 June 1993) was an English novelist, playwright, and poet most famous for his novel Lord of the Flies. He received the Nobel Prize in Literature in 1983.
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"Fancy thinking the Beast was something you could hunt and kill!" said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. "You knew, didn't you? I'm part of you? Close, close, close! I'm the reason whi it's no go? Why things are what they are?"
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Grownups know things, said Piggy. They ain't afraid of the dark. They'd meet and have tea and discuss. Then things 'ud be alright — -
They wouldn't set fire to the island. Or lose — -
They'd build a ship — -
The three boys stood in the darkness, striving unsuccessfully to convey the majesty of adult life.
They wouldn't quarrel — -
Or break my specs — -
Or talk about a beast — -
If only they could get a message to us, cried Ralph desperately. If only they could send us something grownup. . . a sign or something.
His voice rose under the black smoke before the burning wreckage of the island; and infected by that emotion, the other little boys began to shake and sob too. And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of mans heart, and the fall through the air of the true, wise friend called Piggy.
It’s like those nights when I was a kid, lying awake thinking the darkness would go on forever. And I couldn’t go back to sleep because of the dream of the whatever it was in the cellar coming out of the corner. I’d lie in the hot, rumpled bed, hot burning hot, trying to shut myself away and know that there were three eternities before the dawn. Everything was the night world, the other world where everything but good could happen, the world of ghosts and robbers and horrors, of things harmless in the daytime coming to life, the wardrobe, the picture in the book, the story, coffins, corpses, vampires, and always squeezing, tormenting darkness, smoke thick. And I’d think of anything because if I didn’t go on thinking I’d remember whatever it was in the cellar down there, and my mind would go walking away from my body and go down three stories defenceless, down the dark stair past the tall, haunted clock, through the whining door, down the terrible steps to where the coffin ends were crushed in the walls of the cellar – and I’d be held helpless on the stone floor, trying to run back, run away, climb up — —
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Jack was on top of the sow, stabbing downward with his knife. Roger found a lodgment for his point and began to push till he was leaning his whole weight. The spear moved forward inch by inch and the terrified squealing became a high-pitched scream. Then Jack found the throat and the hot blood spouted over his hands. The sow collapsed under them and they were heavy and fulfilled upon her. The butterflies still danced, preoccupied in the center of the clearing.
"You want a pig," said Roger, "like in a real hunt."
"Or someone to pretend," said Jack. "You could get someone to dress up as a pig and then he could act — you know, pretend to knock me over and all that —"
"You want a real pig," said Robert, still caressing his rump, "because you've got to kill him."
"Use a littlun," said Jack, and everybody laughed.
One day I was sitting one side of the fireplace, and my wife was sitting on the other, and I suddenly said to her, “Wouldn’t it be a good idea to write a story about some boys on an island, showing how they would really behave, being boys and not little saints as they usually are in children’s books.” And she said, “That’s a first-class idea! You write it!” So I went ahead and wrote it.
"I'm scared of him," said Piggy, "and that's why I know him. If you're scared of someone you hate him but you can't stop thinking about him. You kid yourself he's alright really, an' then when you see him again; it's like asthma an' you can't breathe. I tell you what. He hates you too, Ralph —"
"Me? Why me?"
"I dunno. You got him over the fire; an' you're chief an' he isn't."
"But he's Jack Merridew!"
"I been in bed so much I done some thinking. I know about people. I know about me. And him. He can't hurt you: but if you're standing out of the way he'd hurt the next thing. And that's me."
"Piggy's right, Ralph. There's you and Jack. Go on being chief."