British novelist, poet, playwright and Nobel Prize for Literature laureate (1911–1993)
Sir William Golding (19 September 1911 – 19 June 1993) was an English novelist, playwright, and poet most famous for his novel Lord of the Flies. He received the Nobel Prize in Literature in 1983.
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I'm against the picture of the artist as a starry-eyed visionary not really in control or knowing what he does. I'd almost prefer the word 'craftsman'. He's like one of those old-fashioned ship builders who conceived the build of the boat in their mind and after that touched every single piece that went into the boat.
Let me think in pictures again. If I imagine heaven metaphorically dazzled into colours, the pure white light spread out in a cascade richer than a peacock's tail then I see that one of the colours lay over me. I was innocent of guilt, unconscious of innocence; happy, therefore, and unconscious of happiness. Perhaps the full sheaf of colours is never to be experienced by the human being since if they experience these colours they must lie in the past or on someone else.
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
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"You couldn't have a beastie, a snake-thing, on an island this size," Ralph explained kindly. "You only get them in big countries, like Africa, or India."
Murmur; and the grave nodding of heads.
"He says the beastie came in the dark."
"Then he couldn't see it!"
Laughter and cheers.
"Did you hear that? Says he saw the thing in the dark—"
"He still says he saw the beastie. It came and went away again an' came back and wanted to eat him."
"He was dreaming."
Laughing, Ralph looked for confirmation round the ring of faces. The older boys agreed; but here and there among the little ones was the doubt that required more than rational assurance.
"He must have had a nightmare. Stumbling about among all those creepers."
More grave nodding. They knew about nightmares.
"He says he saw the beastie, the snake-thing, and will it come back tonight?"
"But there isn't a beastie!"
"He says in the morning it turned into them things like ropes in the trees and hung in the branches. He says will it come back again tonight?"
"But there isn't a beastie!"
There was no laughter at all now and more grave watching. Ralph pushed both hands through his hair and looked at the little boy in mixed amusement and exasperation.
The boys were dancing. The pile was so rotten, and now so tinder-dry, that whole limbs yielded passionately to the yellow flames that poured upwards and shook a great beards of flame twenty feet in the air. For yards round the fire the heat was like a blow, and the breeze was a river of sparks. Trunks crumbled to a white dust.
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