"With Kit, Age Seven, at the Beach

We would climb the highest dune,
from there to gaze and come down:
the ocean was performing;
we contributed our climb.

Waves leapfrogged and came
straight out of the storm.
What should our gaze mean?
Kit waited for me to decide.

Standing on such a hill,
what would you tell your child?
That was an absolute vista.
Those waves raced far, and cold.

"How far could you swim, Daddy, in such a storm?"
"As far as was needed," I said,
and as I talked, I swam."

"Our Story"

Remind me again — together we
trace our strange journey, find
each other, come on laughing.
Some time we’ll cross where life
ends. We’ll both look back
as far as forever, that first day.
I’ll touch you — a new world then.
Stars will move a different way.
We’ll both end. We’ll both begin.

Remind me again.

"Afterwards

Mostly you look back and say, "Well, OK. Things might have been different, sure, and it's not too bad, but look - things happen like that, and you did what you could."
You go back and pick up the pieces. There's tomorrow. There's that long bend in the river on the way home. Fluffy bursts of milkweed are floating through shafts of sunlight or disappearing where trees reach out from their deep dark roots.

Maybe people have to go in and out of shadows till they learn that floating, that immensity waiting to receive whatever arrives with trust. Maybe somebody has to explore what happens when one of us wanders over near the edge and falls for awhile. Maybe it was your turn."

"Living on the Plains”

That winter when this thought came-how the river
held still every midnight and flowed
backward a minute-we studied algebra
late in our room fixed up in the barn,
and I would feel the curved relation,
the rafters upside down, and the cows in their life
holding the earth round and ready
to meet itself again when morning came.

At breakfast while my mother stirred the cereal
she said, "You're studying too hard,"
and I would include her face and hands in my glance
and then look past my father's gaze as
he told again our great race through the stars
and how the world can't keep up with our dreams."

Representing Far Places

In the canoe wilderness branches wait for winter;
every leaf concentrates; a drop from the paddle falls.
Up through water at the dip of a falling leaf
to the sky's drop of light or the smell of another star
fish in the lake leap arcs of realization,
hard fins prying out from the dark below.
Often in society when the talk turns witty
you think of that place, and can't polarize at all:
it would be a kind of treason. The land fans in your head
canyon by canyon; steep roads diverge.
Representing far places you stand in the room,
all that you know merely a weight in the weather.
It is all right to be simply the way you have to be,
among contradictory ridges in some crescendo of knowing.

"Today"

The ordinary miracles begin. Somewhere
a signal arrives: “Now,” and the rays
come down. A tomorrow has come. Open
your hands, lift them: morning rings
all the doorbells; porches are cells for prayer.
Religion has touched your throat. Not the same now,
you could close your eyes and go on full of light.

And it is already begun, the chord
that will shiver glass, the song full of time
bending above us. Outside, a sign:
a bird intervenes; the wings tell the air,
“Be warm.” No one is out there, but a giant
has passed through town, widening streets, touching
the ground, shouldering away the stars.

"Waiting for God"

This morning I breathed in. It had rained
early and the sycamore leaves tapped
a few drops that remained, while waving
the air's memory back and forth
over the lawn and into our open
window. Then I breathed out.

This deliberate day eased
past the calendar and waited. Patiently
the sun instructed the shadows how to move;
it held them, guided their gradual defining.
In the great quiet I carried my life on,
in again, out again.

The things you do not have to say make you rich.
Saying things you do not have to say weakens your talk.
Hearing things you do not need to hear dulls your hearing.
And things you know before you hear them — those are you,
Those are why you are in the world.

An Afternoon in the Stacks

Closing the book, I find I have left my head
inside. It is dark in here, but the chapters open
their beautiful spaces and give a rustling sound,
words adjusting themselves to their meaning.
Long passages open at successive pages. An echo,
continuous from the title onward, hums
behind me. From in here the world looms,
a jungle redeemed by these linked sentences
carved out when an author traveled and a reader
kept the way open. When this book ends
I will pull it inside-out like a sock
and throw it back in the library. But the rumor
of it will haunt all that follows in my life.
A candleflame in Tibet leans when I move.

I keep following this sort of hidden river of my life, you know, whatever the topic or impulse which comes, I follow it along trustingly. And I don't have any sense of its coming to a kind of crescendo, or of its petering out either. It is just going steadily along.