"Saint Matthew and All
Lorene - we thought she'd come home. But
it got late, and then days. Now
it has been years. Why shouldn't she,
if she wanted? I would: something comes
along, a sunny day, you start walking;
you meet a person who says, "Follow me,"
and things lead on.
Usually, it wouldn't happen, but sometimes
the neighbors notice your car is gone, the
patch of oil in the driveway, and it fades.
They forget.
In the Bible it happened - fishermen, Levites.
They just went away and kept going. Thomas,
away off in India, never came back.
But Lorene- it was a stranger maybe, and he
said, "Your life, I need it." And nobody else did."
Now I carry those days in a tiny box
wherever I go. I open the lid like this
and let the light glimpse and then glance away.
There is a sigh like my breath when I do this.
Some days I do this again and again. — William Stafford, from “Remembering,” The Darkness Around Us Is Deep: Selected Poems, ed. Robert Bly (HarperPerennial, 1993)
Cutting Loose”
Sometimes from sorrow, for no reason,
you sing. For no reason, you accept
the way of being lost, cutting loose
from all else and electing a world
where you go where you want to.
Arbitrary, a sound comes, a reminder
that a steady center is holding
all else. If you listen, that sound
will tell where it is, and you
can slide your way past trouble.
Certain twisted monsters
always bar the path – but that’s when
you get going best, glad to be lost,
learning how real it is
here on the earth, again and again.
All events and experiences are local, somewhere. And all human enhancements of events and experiences — all the arts — are regional in the sense that they derive from immediate relation to felt life.
It is this immediacy that distinguishes art. And paradoxically the more local the feeling in art, the more all people can share it; for that vivid encounter with the stuff of the world is our common ground.
Artists, knowing this mutual enrichment that extends everywhere, can act, and praise, and criticize, as insiders — the means of art is the life of all people. And that life grows and improves by being shared. Hence, it is good to welcome any region you live in or come to, or think of, for that is where life happens to be, right where you are.
"Living on the Plains”
That winter when this thought came-how the river
held still every midnight and flowed
backward a minute-we studied algebra
late in our room fixed up in the barn,
and I would feel the curved relation,
the rafters upside down, and the cows in their life
holding the earth round and ready
to meet itself again when morning came.
At breakfast while my mother stirred the cereal
she said, "You're studying too hard,"
and I would include her face and hands in my glance
and then look past my father's gaze as
he told again our great race through the stars
and how the world can't keep up with our dreams."
Storm Warning
Something not the wind shakes along far
like a sky truck in low gear
over Oregon. Like the shore wind baying along through fir
but not now the wind, no, not really so,
it is a new weight and force
that begins to blow.
This winter they'll still call it wind and let it explore;
and when they talk it over next summer there by the shore,
along through the scrub and salal the new something will range.
In a hurry, late, it won't wait for the air.
In the fall again they'll remember, each of them, back to now.
They'll no longer call it wind, they'll want it all changed.
They'll want it all different then, but they won't know how.
"Scars"
They tell how it was, and how time
came along, and how it happened
again and again. They tell
the slant life takes when it turns
and slashes your face as a friend.
Any wound is real. In church
a woman lets the sun find
her cheek, and we see the lesson:
there are years in that book; there are sorrows
a choir can't reach when they sing.
Rows of children lift their faces of promise,
places where the scars will be.
William Stafford, Americans’ Favorite Poems edited by Maggie Dietz and Robert Pinsky (W. W. Norton & Company; 1st edition, November 1, 1999)
Any Morning’
Just lying on the couch and being happy.
Only humming a little, the quiet sound in the head.
Trouble is busy elsewhere at the moment, it has
so much to do in the world.
People who might judge are mostly asleep; they can’t
monitor you all the time, and sometimes they forget.
When dawn flows over the hedge you can
get up and act busy.
Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won’t even see that you have them,
they are so light and easy to hide.
Later in the day you can act like the others.
You can shake your head. You can frown.