Japanese novelist (1899–1972)
Yasunari Kawabata [川端 康成 Kawabata Yasunari] (14 June 1899 – 16 April 1972) was a Japanese short story writer and novelist known for his spare, lyrical, and subtly-shaded prose. In 1968 he became the first Japanese writer to receive the Nobel Prize for Literature.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
川端 康成
Alternative Names:
Kawabata Yasunari
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KAWABATA Yasunari
From Wikidata (CC0)
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"Twenty years old, I had embarked on this trip to Izu heavy with resentment that my personality had been permanently warped by my orphan's complex and that I would never be able to overcome a stifling melancholy. So I was inexpressibly grateful to find that I looked like a nice person as the world defines the word."
-from "The Dancing Girl of Izu"
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Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.
The bonds between men and women predate language, and while the words we have used to express those ties may have grown exceptionally subtle and refined since language first arose, they are still just words. Words make our loves richer and more complicated, yes, but much has also been lost on their account - shrouded in the trappings of the age, drunk on the vacuity of artificial thrills. The progress of language is both a friend to love between the sexes and its enemy. Such love abides, it seems, in the mysterious depths where language cannot reach. Perhaps it's a slight exaggeration to say that the language of love is a stimulant, a drug; but whatever led us humans to create such a language , it was not life itself - which is the root of love - and therefore that language cannot engender the life that is the root of all else.
Women are odd,” he said, to extricate himself. “Two or three of them have told me they’re sure I modeled one of my characters on them. And they were complete strangers, women I’d had nothing to do with. What kind of delusion could that be?” “Lots of women are unhappy, so they console themselves with delusions.
Two middle-aged American couples came back from the dining car and, as soon as they could see Mt. Fuji, past Numazu, stood at the windows eagerly taking photographs. By the time Fuji was completely visible, down to the fields at its base, they seemed tired of photographing and had turned their backs to it.