One can find meaning in poetry as well as in science in the contemplations of a flower as well as in the grasp of an equation. We can be filled with wonder as we stand under the majestic dome of the night sky and see the myriad lights that twinkle and shine in its seemingly infinite depths. We can also be filled wit awe as we behold the meaning of the formulae that define the propagation of light in space, the formation of galaxies, the synthesis of chemical elements, and the relation of energy, mass and velocity in the physical universe. The mystical perception of oneness and the religious intuition of a Divine intelligence are as much a construction of meaning as the postulation of the universal law of gravitation.

Galileo wrote that 'the book of nature is written in the language of mathematics; without its help it is impossible to comprehend a single word of it.'

Science is the poetry of reality.

Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, spheres, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.

Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.

The words of true poems are the tuft and final applause of science.

There's a reason for poetry... Poetry is a very nonlinear use of language, where the meaning is more than just the sum of the parts. And science requires that it be nothing more than the sum of the parts. And just the fact that there's stuff to explain out there that's more than the sum of the parts means that the traditional approach, just characterizing the parts and the relations, is not going to be adequate for capturing the essence of many systems that you would like to be able to do. That's not to say that there isn't a way to do it in a more scientific way than poetry, but I just like the feeling that culturally there's going to be more of something like poetry in the future of science.

There is a beauty in discovery. There is mathematics in music, a kinship of science and poetry in the description of nature, and exquisite form in a molecule. Attempts to place different disciplines in different camps are revealed as artificial in the face of the unity of knowledge. All literate men are sustained by the philosopher, the historian, the political analyst, the economist, the scientist, the poet, the artisan and the musician.

There's real poetry in the real world. Science is the poetry of reality

Another time somebody gave a talk about poetry. He talked about the structure of the poem and the emotions that come with it; he divided everything up into certain kinds of classes. In the discussion that came afterwards, he said, “Isn’t that the same as in mathematics, Dr. Eisenhart?” Dr. Eisenhart was the dean of the graduate school and a great professor of mathematics. He was also very clever. He said, “I’d like to know what Dick Feynman thinks about it in reference to theoretical physics.” He was always putting me on in this kind of situation. I got up and said, “Yes, it’s very closely related. In theoretical physics, the analog of the word is the mathematical formula, the analog of the structure of the poem is the interrelationship of the theoretical bling-bling with the so-andso”–and I went through the whole thing, making a perfect analogy. The speaker’s eyes were _beaming_ with happiness. Then I said, “It seems to me that no matter _what_ you say about poetry, I could find a way of making up an analog with _any_ subject, just as I did for theoretical physics. I don’t consider such analogs meaningful.

Sciences .. are based on a single logical meaning of the sentence or of the word. ... On the contrary, poetry tries for as many possible meanings and interactions between words and thoughts as it can.

Though science makes no use for poetry, poetry is enriched by science. Poetry “takes up” the scientific vision and re-expresses its truths, but always in forms which compel us to look beyond them to the total object which is telling its own story and standing in its own rights. In this the poet and the philosopher are one. Using language as the lever, they lift thought above the levels where words perplex and retard its flight, and leave it, at last, standing face to face with the object which reveals itself.

But why has our physical world revealed such extreme mathematical regularity that astronomy superhero Galileo Galilei proclaimed nature to be “a book written in the language of mathematics,” and Nobel Laureate Eugene Wigner stressed the “unreasonable effectiveness of mathematics in the physical sciences” as a mystery demanding an explanation?

In scientific thinking are always present elements of poetry. Science and music requires a thought homogeneous.