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" "I feel a kind of intellectual regret, not an emotional regret, at having left my parents and that world behind. But it's not a great weight on my soul. In a way I wish it were. To leave one’s background without guilt is an indication of shallowness of character, I suspect.
John Banville (born 8 December 1945) is an Irish novelist and journalist. He is recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators. His stated ambition is to give his prose "the kind of denseness and thickness that poetry has".
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I would have failed, of course, but failure is the condition of the artist's life. What kind of failure would I have enjoyed, suffered? I know it was not all waste. My hopeless daubings taught me to look at the world with a painter's eye, despite the poor connection between eye and hand. And the smells of turpentine and linseed oil and paint-soaked rags still make my blood tingle. But words were my calling, and called to me, and I let fall the brush.
I feel that over the past 15 years, there has been a steady move toward more populist work. I do feel - and of course I'm completely biased - that this year was a return to the better days of the 80s and early 90s. It was a very good short list and a decent jury; it didn't have any stand-up comedians or media celebs on it, and I think that's what the Man Booker prize should be. There are plenty of other rewards for middle-brow fiction. There should be one decent prize for [pause] real books.
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I often think that there was nothing more exciting and erotic than getting a glimpse of a woman's leg at the top of her stockings. There's something about that white bulge and for anybody who grew up in my time, nothing replaces that, nothing. I remember I had a girlfriend when I was 16 and she had this bra – it used to open down the front – which I thought was absolutely wonderful. It was like opening a tabernacle.