I shouldn't have done that," I said.

That was when I kissed him again.

May God forgive me for this and all these things I've done.

It's kind of strange seeing pictures of yourself in papers kissing Harry Potter. You can't really avoid it, though. My friends are always asking me about it. Before I did the scene everyone kept coming up to me and asking if I was looking forward to it. It got me really, really nervous and I was having sleepless nights over it. But when I actually did the scene it went very well and Dan was great. He said he was nervous as well. But the director [ David Yates ] was really cool about it too.

I actually kissed a man in the film, but they took it out, they cut it. I think they got chicken.

I am in the profession of acting and so to suit the character I sometimes have to indulge in kissing and provocative scenes. I have never felt comfortable shooting for kissing sequences. Although, kissing scenes like the ones in Yuva with Abhishek Bachchan and in Hum Tum with Saif were shot in an aesthetic manner. I am still pretty much uncomfortable performing such scenes.

I called this doctor who was taking care of Rock Hudson. He said: ‘Do you have to kiss the actor?’ I said: ‘Yeah, it’s important in the script.’ He said: ‘Then I wouldn’t do the play.’ [Grey wrestled with it and chose the play and the kiss] I said: ‘I need to tell this story. As an actor it’s my job.’

Then he tries to kiss me again. And the second time he tries to kiss me he starts biting my lip … He starts to, um, bite on my top lip and I tried to pull away from him. And then he forces me down on the bed. And I just was very frightened, and I tried to get away from him and I told him ‘No,’ that I didn’t want this to happen but he wouldn’t listen to me. … It was a real panicky, panicky situation. I was even to the point where I was getting very noisy, you know, yelling to ‘Please stop.’ And that’s when he pressed down on my right shoulder and he would bite my lip. … When everything was over with, he got up and straightened himself, and I was crying at the moment and he walks to the door, and calmly puts on his sunglasses. And before he goes out the door he says ‘You better get some ice on that.’ And he turned and went out the door

The hardest scene to do in the movie was when I had to swim across the Orange River about 5 times, then run up a hill of beach sand at speed, get to the top, and then do a really emotional scene

"She took me to her room and stood me in front of her dresser, which was covered in a pillowcase with pretty colors. She lifted off the pillowcase, and there I was, standing in my old suit, looking at an old typewriter with a fresh ribbon. Inside the typewriter was a piece of white paper.
On that piece of white paper, Sam wrote, "Write about me sometime." And I typed something back to her, standing right there in her bedroom. I just typed.
"I will."
And I felt good that those were the first two words that I ever typed on my new old typewriter that Sam gave me. We just sat there quiet for a moment, and she smiled. And I moved to the typewriter again, and I wrote something.
"I love you, too."
And Sam looked at the paper, and she looked at me.
"Charlie . . . have you ever kissed a girl?"
I shook my head no. It was so quiet.
"Not even when you were little?"
I shook my head no again. And she looked very sad.
She told me about the first time she was kissed. She told me that it was with one of her dad's friends. She was seven. And she told nobody about it except for Mary Elizabeth and then Patrick a year ago. And she started to cry. And she said something that I won't forget. Ever.
"I know that you know that I like Craig. And I know that I told you not to think of me that way. And I know that we can't be together like that. But I want to forget all those things for a minute. Okay?"
"Okay."
"I want to make sure that the first person you kiss loves you. Okay?"
Okay." She was crying harder now. And I was, too, because when I hear something like that I just can't help it.
"I just want to make sure of that. Okay?"
"Okay."
And she kissed me. It was the kind of kiss that I could never tell my friends about out loud. It was the kind of kiss that made me know that I was never so happy in my whole life.

Carlson: Give me the chronology of the kiss. How did you decide to kiss Madonna?
Spears: Well, actually, in rehearsals, it wasn't something that was like, "Y'know, This is what we're gonna do. Y'know." It was just kinda like we play around a little bit and, um, she said during—before the performance, "Let's just feel it out and see what happens." So I didn't know it was gonna be that long and everything, but it was cool.

She had not kissed on the mouth, she had not sought anonymous lips and tongues in the licence of festival. Yet she had kissed. Watching herself again, she knew that. She did not tell what happened not because her husband would suspect licence in her.

I’ve been kissed by men who did a very good job. But they don’t give kissing their whole attention. They can’t. No matter how hard they try parts of their minds are on something else. Missing the last bus — or their chances of making the gal — or their own techniques in kissing — or maybe worry about jobs, or money, or will husband or papa or the neighbors catch on. Mike doesn’t have technique . . . but when Mike kisses you he isn’t doing anything else. You’re his whole universe . . . and the moment is eternal because he doesn’t have any plans and isn’t going anywhere. Just kissing you.

I might kiss you.
I might be bad at it.
That's not possible.

A kiss may not be the truth, but it is what we wish were true.

The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, really quickly, alone, by itself. The weird compass of the film was its last scene. That’s a compass, but it’s a high pressure one.