The best conditions for fine criticism to emerge are rather simple: an atmosphere where ideas and stories aren’t in opposition but in partnership, wh… - Ilan Stavans

In Mexico, I was a Jew. In the U.S., I became a Mexican, but all these dichotomies helped me to see that you can be an outsider and an insider simultaneously. You become a member of another minority, but not fully. Here I'm a Mexican in the U.S. I'm a Latino. I'm a Jew. I'm an American.

I tell my students that education isn’t about facts. It isn’t about theories, either. It is about tracking your thoughts, about witnessing how stories are formed in your mind. It is about allowing the mind not to be clogged, about letting it see not what it does but how it does it. The rules of criticism are the same as the rules of other types of literature. These rules boil down to one: finding the right words to tell the right narrative at the right time. Nothing else matters.

It is crucial that, as culture seeks to represent nonwhite voices, our conception of perennial literature undergoes an expansion. We need to make classics from Asia, Africa, and Latin America available to underrepresented readerships. That means recalibrating our definition of a literary classic and explicitly reaching out to translators for new, undiscovered classics.