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" "(Do you think there’s been increased awareness of Mizrahi Jewish culture in English-language speaking communities?) I sure hope so. I do my part. It’s a small part. But every time I get to speak in front of people, I correct misconceptions, which happens often. People saying things like “Mizrahi Jews didn’t come to Israel until the founding of the country, so that’s maybe why …” And I’m like, “Actually, my great-grandmother came in 1907, and the first Yemeni immigration was at the same time as the Bilu immigration of the European Jews, exactly the same years, it just hasn’t been told.” So yeah, you have to do what you have to do.
Ayelet Tsabari is an Israeli-Canadian writer.
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I woke up with an urge to write, to document everything [they] had shared with me about the women's songs. For the first time in forever, I felt inspired by something. The idea of oral poetry that was created and disseminated by a community of women fascinated me, the fluidity of it, the riffing and rewriting and borrowing, which stood against the idea of authorship as it was known and celebrated in the West. There was so much more I wished to know. (Chapter 14)