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"Why was Solzhenitsyn driven out of his own country? Certainly not because he represented a unit of real power, that is, not because any of the regime's representatives felt he might unseat them and take their place in government. Solzhenitsyn's expulsion was something else: a desperate attempt to plug up the dreadful wellspring of truth, a truth which might cause incalculable transformations in social consciousness, which in turn might one day produce political debacles unpredictable in their consequences. And so the post-totalitarian system behaved in a characteristic way: it defended the integrity of the world of appearances in order to defend itself. For the crust presented by the life of lies is made of strange stuff. As long as it seals off hermetically the entire society, it appears to be made of stone. But the moment someone breaks through in one place, when one person cries out, "The emperor is naked!" — when a single person breaks the rules of the game, thus exposing it as a game — everything suddenly appears in another light and the whole crust seems then to be made of a tissue on the point of tearing and disintegrating uncontrollably."
Václav Havel (5 October 1936 – 18 December 2011) was a Czech writer and dramatist famous for his work in the Theatre of the Absurd, who became a politician and served as the last President of Czechoslovakia, and the first President of the Czech Republic.
Biography information from Wikiquote
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Until recently, it might have seemed that we were an unhappy bit of mildew on a heavenly body whirling in space among many that have no mildew on them at all. this was something that classical science could explain. Yet, the moment it begins to appear that we are deeply connected to the entire universe, science reaches the outer limits of its powers. Because it is founded on the search for universal laws, it cannot deal with singularity, that is, with uniqueness. The universe is a unique event and a unique story, and so far we are the unique point of that story. But unique events and stories are the domain of poetry, not science. With the formulation of the Anthropic Cosmological Principle, science has found itself on the border between formula and story, between science and myth. In that, however, science has paradoxically returned, in a roundabout way, to man, and offers him — in new clothing — his lost integrity. It does so by anchoring him once more in the cosmos.
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Sono convinto che il modo migliore di affrontarli (ai regimi totalitari) sia quello di studiarli senza pregiudizio, imparare da essi e resistergli, comportandosi in modo radicalmente differente; laddove tale differenza nasce da una continua lotta contro il male che essi incarnano con tanta chiarezza, e che, tuttavia, dimora ovunque e quindi anche in ognuno di noi.