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...to forgo one's autonomy becomes the means of secretly safeguarding it; to play possum, to feign death, becomes a means of preserving one's aliveness. To turn oneself into a stone becomes a way of not being turned into a stone by someone else. 'Be thou hard,' exhorts Nietzsche. In a sense that Nietzsche did not, I believe, himself intend, to be stony hard and thus far dead forestalls the danger of being turned into a dead thing by another person. Thoroughly to understand oneself (engulf oneself) is a defense against the risk involved in being sucked into the whirlpool of another person's way to comprehending oneself. To consume oneself by one's own love prevents the possibility of being consumed by another.

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Did not Nietzsche too warn of that “life-destroying enlightenment” that touches on our life-supporting self-delusions? Can we afford to shake up the “basic fictions” of privacy, personality, and identity? Be that as it may, in this question both old and new conservatives have come to the hard decision to take the “stance” of defending, against all the demands of reflection, their “unavoidable lies for living,” without which self-preservation would not be possible. That they are aided in this by the general fear of self-experience, which competes with curiosity about self-experience, does not have to be expressly emphasized. Thus the theater of respectable, closed egos goes on everywhere, even where the means have long been available to secure better knowledge. Crosswise to all political fronts, it is the “ego” in society that offers the most resolute resistance against the decisive enlightenment. Scarcely anyone will put up with radical self-reflection on this point, not even many of those who regard themselves as enlighteners.

Nietzsche: “Whoever fights monsters should see to it that in the process he does not become a monster.

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"When Nietszche says, "A new commandment I give to you,
be hard" he is really saying, "A new commandment I give to you, be dead." Sensibility is the definition of
life."

To avert the danger [posed by theory] to life, Nietzsche could choose one of two ways: he could insist on the strictly esoteric character of the theoretical analysis of life—that is, restore the Platonic notion of the noble delusion—or else he could deny the possibility of theory proper and so conceive of thought as essentially subservient to, or dependent on, life or fate... If not Nietzsche himself, at any rate his successors [Heidegger] adopted the second alternative.

Nietzsche’s words that relate to this with respect to masks and the processes of life. He speaks of three stages in the life of the spirit incarnate in each of us. Three transformations of the spirit, he calls it. The first is that of the camel which gets down on its knees and asks, “Put a load on me.” That’s the period of these dear little children. This is the just-born life that has come in and is receiving the imprint of the society. The primary mask. “Put a load on me. Teach me what I must know to live in this society.” Once heavily loaded, the camel struggles to its feet and goes out into the desert — into the desert of the realization of its own individual nature. This must follow the reception of the culture good. It must not precede it. First is humility, and obedience, and the reception of the primary mask. Then comes the turning inward, which happens automatically in adolescence, to find your own inward life. Nietzsche calls this the transformation of the camel into a lion. Then the lion attacks a dragon; and the dragon’s name is Thou Shalt. The dragon is the concretization of all those imprints that the society has put upon you. The function of the lion is to kill the dragon Thou Shalt. On every scale is a “Thou Shalt,” some of them dating from 2000 b.c., others from this morning’s newspaper. And, when the dragon Thou Shalt has been killed — that is to say, when you have made the transition from simple obedience to authority over your own life — the third transformation is to that of being a child moving spontaneously out of the energy of its own center. Nietzsche calls it a wheel rolling out of its own center.

Nietzsche: “Was mich nicht umbringt, macht mich stärker.” (That which does not kill me, makes me stronger.)

You cannot dream yourself into a character: you must hammer and forge yourself into one.

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With the disintegration of all that [Nietzsche] had revered, existence, to him, had become a desert in which only one thing remained, namely that which had relentlessly forced him into this path: truthfulness that knows no limits and is not subject to any condition.

Conversing with Nietzsche is uncommonly lovely . . . The content of a conversation of ours really exists in what is not quite spoken but emerges from our each approaching the other half way. He gave me his hand and said earnestly and with feeling, "Never forget that it would be a calamity if you did not carve a memorial to your full innermost mind in the time left to you."

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Nietzsche represents an attempt to recover the "self-diffusiveness" of the good in spite of the good itself, because the good itself cannot be separated from the Christian Neoplatonic tradition that lies at the roots of Western civilization. He thus ends up, as Heidegger has compellingly shown, with an emptiness of the will to power, sheer willing, which does not overcome modernity but rather consummates it.

Nietzsche's problem is how to be a philosopher once he has grasped the finitude of philosophy.

Nietzsche … combines, in effect, Christ’s harsh sayings: ‘let the dead bury their dead’ and ‘narrow is the way which leadeth unto life’.

A genuine Nietzsche study would require the psychology of religion that would spotlight the meaning of his being, his suffering, and his self-induced bliss. His entire development, as it were, derived from his loss of belief and therefore from his emotions that attend the death of God. These tremendous emotions reverberate in his writings up to the final work, the fourth part of Also Sprach Zarathustra, which was composed on the threshold of madness. The possibility of finding some substitutions for the lost God by means of the most varied forms of self-idolization constituted the story of his mind, his works, and his illness. (p. 26)

You cannot dream yourself into a character; you must hammer and forge yourself one.

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