For too long our preoccupation with Israel (either in the form of Zionism or fundraising for Israel as the primary content of our Jewish identity or … - Irena Klepfisz

I feel connected to Jewish history. I feel a part of the Jewish community, in all of its variety. As a Jew, my fate is bound up with other Jews. That could be Hasidim, Sephardim...people who are very different from me. In addition to that sense of bond and commitment, I also feel an obligation to contribute to Jewish culture, and that could take different forms. That could be my own writing, or it could be translations from Yiddish, so that people who don’t speak Yiddish can connect with Ashkenazi tradition. I don’t want Yiddish to disappear because nobody can read it. I also spend a lot of time on the Israeli-Palestinian conflict. I feel very much that it’s a part of me, in a way; I can’t totally distance myself from it, but I’m deeply disturbed by what’s happened there. I recognize the existence of religious texts, but I don’t necessarily believe them. I appreciate some of them from a literary or historical perspective, and I understand that they’re part of my history as a Jew, but I’m not moved by synagogue. I’m not even sentimental about it.

I write as much out of a Jewish consciousness as I do out of a lesbian/feminist consciousness. They are both always there, no matter what topic I might be working on. They are embedded in my writing, embedded and enmeshed to the point that they are not necessarily distinguishable as discrete elements. They merge and blend and blur, for in many ways they are the same.

It seems to me that there are sort of multiple American Jewish identities. One is the Zionist identity -- that I'm a Jew because I'm a Zionist, and I don't have to do anything else, but I can support Israel and I'm a Jew. And then, there's the observant one -- the one that's -- you know, you go to the synagogue. And the secularists -- I mean, when my -- when I first wrote my essay, "Secular Jewish Identity: Yiddishkayt in America" in "Tribe of Dina," which was, like, in, I don't know, '83, '84, people came up to me and said, I didn't realize I was a secularist...there was also this other identity which had to do with the Holocaust, and it had to do with either identifying yourself as a survivor or identifying yourself as the first generation or second and now third, where your identity is Jewish because of your connection to the Holocaust.