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When I write, I will say it out loud to myself over and over again. I want to hear it. I want to hear how it sounds. Not only -- I like to manipulate it on the page and how it looks, but I also want to be able to hear it.

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If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I suppose it's the difference between masturbation and making love — the real writer wants to touch another person.

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I think I have a sense of how things need to sound, how to pull an audience in with tone, timing, and pacing. That affects a lot of my writing, too, being hyper aware of how an audience might read something. I want what’s happening on the page to mimic what my body would do on stage. A lot of that came out in the audiobook. I think I would have struggled to record the audiobook without having stage experience because it’s a lot of work to maintain that kind of performance voice.

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Writing, in a way, is listening to the others’ language and reading with the others’ eyes. The more ears I am able to hear with, the farther I see the plurality of meaning and the less I lend myself to the illusion of a single message.

How do I know what I think until I hear what I say?

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