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The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

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Though beauty is autonomous, there seem to be occasions when human presence can become congruent with her will. In creative work no amount of force or mechanical management can guarantee beauty. Suddenly, without expecting it, beauty is there. Yet ultimately beauty is a profound illumination of presence, a stirring of the invisible in visible form and in order to receive this we need to cultivate a new style of approaching the world.

Beauty cannot be forced. It alone decides when it will come and sometimes it is the last thing we expect and the very last thing to arrive. Creative artists know this well. Great skill and inspiration set the context or scene where beauty might emerge. But it is not the mind of the artist alone that can determine whether beauty will arrive or not.

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It is not sufficient to see and to know the beauty of a work. We must feel and be affected by it.

Grace happens when we act with others on behalf of our world.

There is a certain standard of grace and beauty which consists in a certain relation between our nature... and the thing which pleases us.

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Beauty, then, is not mere decoration, but rather an essential element of the liturgical action, since it is an attribute of God himself and his revelation. These considerations should make us realize the care which is needed, if the liturgical action is to reflect its innate splendour.

We were sent into the world alive with beauty. As soon as we choose Beauty, unseen forces conspire to guide and encourage us towards unexpected forms of compassion, healing and creativity.

Frequently, beauty is playful like dancing sunlight, it cannot be predicted, and in the most unlikely scene or situation can suddenly emerge. This spontaneity and playfulness often subverts our self-importance and throws our plans and intentions into disarray. Without intending it, we find ourselves coming alive with a sense of celebration and delight. The pedestrian sequence of a working day breaks, a new door opens and the heart recognizes the silent majesty of the ordinary. The things we never notice, like health, friends and love, emerge from their subdued presence and stand out in their true radiance as gifts we could never have earned or achieved.

The grandest operations, both in nature and in grace, are the most silent and imperceptible. The shallow brook babbles or. its passage, and is heard by every one; but the coming on of the seasons is silent and unseen. The storm rages and alarms; but its fury is soon exhausted, and its effects are partial and soon remedied; but the dew, though gentle and unheard, is immense in quantity, and the very life of large portions of the earth. And these are pictures of the operations of grace in the church and in the soul.

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