<nowiki>[</nowiki>Julian Gough's<nowiki>]</nowiki> notion that shouting the word 'feck' – Father Ted has a lot to answer for – and being grossly scat… - John Banville

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<nowiki>[</nowiki>Julian Gough's<nowiki>]</nowiki> notion that shouting the word 'feck' – Father Ted has a lot to answer for – and being grossly scatological will make him seem echt Irish only harms his argument. We who were born and continue to live in Ireland are always distressed by the stage-Irish antics so often to be encountered among the sons and daughters of the diaspora. But it is true, as the critic Declan Kiberd remarks, that no contemporary Irish writer has yet attempted the Great Irish Novel on social and political themes. Where is our Middlemarch, our Doctor Zhivago, our Rabbit trilogy? The fact is Irish fiction tends to be poetic rather than prosaic, which is something that non-Irish reviewers find hard to grasp. John McGahern used to say that there is verse and there is prose, and then there is poetry, and poetry can occur in either form, and that in Ireland it occurs more often in prose than in verse. There may be a grittily realistic novelist even now writing a masterpiece such as Mr Gough says he longs for, and, if so, I applaud her/him.

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About John Banville

John Banville (born 8 December 1945) is an Irish novelist and journalist. He is recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators. His stated ambition is to give his prose "the kind of denseness and thickness that poetry has".

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Alternative Names: Benjamin Black William John Banville
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I feel a kind of intellectual regret, not an emotional regret, at having left my parents and that world behind. But it's not a great weight on my soul. In a way I wish it were. To leave one’s background without guilt is an indication of shallowness of character, I suspect.

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