The fact that, from 1938 onwards, I concentrated more on the interpretation of personal ideas was primarily the result of my departure from Italy. In… - M. C. Escher

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The fact that, from 1938 onwards, I concentrated more on the interpretation of personal ideas was primarily the result of my departure from Italy. In Switzerland, Belgium, and Holland where I successively established myself, I found the outward appearance of landscapes and architecture to be less striking than those which are particularly to be seen in the southern part of Italy. Thus I felt compelled to withdraw from the more or less direct and true-to-life illustrating of my surroundings.

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About M. C. Escher

Maurits Cornelis Escher (17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically inspired woodcuts, lithographs, and mezzotints. His work features mathematical objects and operations including impossible objects, explorations of infinity, reflection, symmetry, perspective, truncated and stellated polyhedra, hyperbolic geometry, and tessellations.

Biography information from Wikiquote

Also Known As

Native Name: Maurits Cornelis Escher
Alternative Names: Mauricio Escher Mauk Escher M.C. Escher Escher Maurits Escher
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Additional quotes by M. C. Escher

The ideas that are basic to [my work] often bear witness to my amazement and wonder at the laws of nature which operate in the world around us. He who wonders discovers that this is in itself a wonder. By keenly confronting the enigmas that surround us, and by considering and analyzing the observations that I had made, I ended up in the domain of mathematics.

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): Ik heb eerst die gemaakt [een open spiraal waarin de ogen, mond, het voorhoofd van een vrouw herkenbaar zijn ) maar ik kan niet goed hebben dat iets wordt afgesneden. Ik dacht, waarom is dat mens hier afgesneden? Toen heb ik die twee gemaakt, die [met elkaar verbonden] een eindeloosheid hebben. 't Is ook bedoeld als reactie tegen beeldhouwers. Ik zie daar een beetje op neer, nee dat is niet goed gezegd, beeldhouwers zijn te beperkt. Ze denken zelf dat het heel wat is, maar boetseren kan iedereen. Tekenen is veel moeilijker, veel onstoffelijker.

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