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I grew up in the midst of poverty but every black kid that I knew could read and write. We have to talk about the fact that we cannot educate for critical consciousness if we have a group of people who cannot access Fanon, Cabral, or Audre Lorde because they can’t read or write. How did Malcolm X radicalize his consciousness? He did it through books. If you deprive working-class and poor black people of access to reading and writing, you are making them that much farther removed from being a class that can engage in revolutionary resistance.

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I was one of the ones who didn’t really hear Malcolm’s voice until it was amplified by death. I had been guilty of what many of us are still guilty of — letting the media, and I don’t mean only the white media — define the bearers of those messages most important to our lives. When I read Malcolm X with careful attention, I found a man much closer to the complexities of real change than anything I had read before.

Malcolm X had a special meaning for black convicts. A former prisoner himself, he had risen from the lowest depths to great heights. For this reason he was a symbol of hope, a model for thousands of black convicts who found themselves trapped in the vicious PPP cycle: prison-parole-prison.

I met Malcolm X once in Washington, but circumstances didn't enable me to talk with him for more than a minute. He is very articulate ... but I totally disagree with many of his political and philosophical views — at least insofar as I understand where he now stands. I don't want to seem to sound self-righteous, or absolutist, or that I think I have the only truth, the only way. Maybe he does have some of the answer. I don't know how he feels now, but I know that I have often wished that he would talk less of violence, because violence is not going to solve our problem. And in his litany of articulating the despair of the Negro without offering any positive, creative alternative, I feel that Malcolm has done himself and our people a great disservice. Fiery, demagogic oratory in the black ghettos, urging Negroes to arm themselves and prepare to engage in violence, as he has done, can reap nothing but grief.

How are you practicing what you preach — whatever you preach, and who exactly is listening? As Malcolm stressed, we are not responsible for our oppression, but we must be responsible for our own liberation. It is not going to be easy, but we have what we have learned and what we have been given that is useful. We have the power those who came before us have given us, to move beyond the place where they were standing. We have the trees, and water, and sun, and our children. Malcolm X does not live in the dry texts of his words as we read them; he lives in the energy we generate and use to move along the visions we share with him. We are making the future as well as bonding to survive the enormous pressures of the present, and that is what it means to be a part of history.

Malcolm X and Dr. King were probably both murdered because each in his own political development was isolating the racist, moneyed, ruling elite. This sort of polarization retains its sharp edge, but positions most people firmly on our side. In other words, radical politics is not about being hipper than our parents or neighbors. It is about enlarging the circle. It is about being inclusive of practically everyone except those few on top. How do we enlarge our circle? We begin close to home.

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I have often reflected upon the new vistas that reading opened to me. I knew right there, in prison, that reading had changed forever the course of my life. As I see it today, the ability to read awoke inside me some long dormant craving to be mentally alive. I certainly wasn’t seeking any degree, the way a college confers a status symbol upon its students. My home made education gave me, with every additional book that I read, a little bit more sensitivity to the deafness, dumbness, and blindness that was afflicting the black race in America. Not long ago, an English writer telephoned me from London asking questions. One was, “What’s your alma mater?” I told him, “Books.” You will never catch me with a free fifteen minutes in which I’m not studying something I feel might be able to help the black man.

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Since the prisons are full and you really don't rehabilitate prisoners, you loved Malcolm X, so you say. Well, look at Malcolm. He was a thief, a hustler, a pimp, a user of drugs, a seller of drugs, a bank robber. Would you love him in that condition? Would you accept a picture of him on your wall in that condition? But who reclaimed him? We did. And the brilliance of that man is the same brilliance that's hiding in prisons all over America. Malcolm was not the exception. Malcolm is the rule. There are many brilliant black people. All they need is a chance.

Malcolm X is a distinct shape in a very pivotal period of my life. I stand here now — Black, Lesbian, Feminist — an inheritor of Malcolm and in his tradition, doing my work, and the ghost of his voice through my mouth asks each one of you here tonight: Are you doing yours?

There are hundreds of political prisoners right now in America’s jails who were so taken by Malcolm [X’s} spirit that they became warriors and the powers that be understood them as warriors. They knew that a lot of these other middle-class [black] leaders were not warriors; they were professionals; they were careerists. But these warriors had callings, and they have paid an incalculable and immeasurable price in those cells.

"I later heard somewhere, or read, that Malcolm X telephoned an apology to the reporter. But this was the kind of evidence which caused many close observers of the Malcolm X phenomenon to declare in absolute seriousness that he was the only Negro in America who could either start a race riot-or stop one. When I once quoted this to him, tacitly inviting his comment, he told me tartly, "I don't know if I could start one. I don't know if I'd want to stop one.

My concept of what it meant to be a revolutionary was based on a montage of the organizers from the Sinclair novels, along with my childhood memories from Denver. I also began to read an enormous amount of history around this time. I was very taken with Charles Beard-at that point his writings seemed to me to represent great Marxist truths because he talked about the things that high school history never talked about, the underlying economic motives of history makers. I read everything he and his wife Mary Beard wrote. I had started reading Marx and Lenin, but at that point I think Walt Whitman and Henry David Thoreau had more effect on me. What I responded to in my readings were emotional rather than theoretical questions. I was developing a hatred of the brutality of the existing economic system, a hatred of the impersonal degradation of human beings. That's what moved me as a teenager, and stayed with me.

Wright was an American phenomenon. Lenin, during the Russian Revolution, looked at the jubilant former serfs who'd changed the course of history. Wouldn't he be thinking also of one like this one when he dreamed of creating a new man? Phenomena-especially Black ones-can't be measured by ordinary standards. Perhaps this is what W. E. B. DuBois had in mind when he said, "We struggle not only for the right of Blacks to be right but also for their right to be wrong!" Wright was a prodigious reader and he never failed to credit the extraordinary 10-year leap from semi-illiterate Black serf to literary giant to his discovery of Marx, Engels and Lenin, which subsequently led to his membership in the Communist Party. Mississippi had taught him to despise capitalist exploitation and injustice.

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Yes, and we will come back to that and the matter of your hidden histories. But I now want to ask a question about something that not many people think and talk about. And that is, what is a catholic grasp, if you like, of the place of Black writers in British society? I had the privilege of hearing you speak, five years ago, at [the] African Literature Association conference in Germany and I remember being struck by your keynote speech, about the way you could so clearly map the progress of Black writing, the recognition of Black writing and the issues that Black writers had taken on in the public space: naming the challenges and difficulties you face in the sense of not just what you wrote but that you wrote at all, that you existed at all. And I was wondering if you could share a little bit of that activist part of the collectivity before we return to the question of your personal creativity.

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