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Malthus… has been the whipping boy of idealists and techno-optimists for two hundred years. His famous essay proposed that human population, if unconstrained, would grow exponentially while food supplies grew only arithmetically, and that therefore population growth faced strict and inevitable natural limits. Most commentators, however, took the math at face value and overlooked the part about constraints. These “checks’ on population come in the form of famine, pestilence, war, and ‘moral restraint,” i.e., the will to postpone marriage or forgo parenthood (from a perhaps antiquated notion that the ability to support a family might enter into anyone’s plans for forming one, or even that society could influence such choices). Malthus’s essay has been mostly misconstrued to mean that the human race was doomed at a certain arbitrary set point, and the pejorative ‘malthusian” is attached to any idea that suggests that human ingenuity cannot make accommodation for more human beings to join the party on Spaceship Earth.
Interestingly, Malthus’s essay was aimed at the reigning Enlightenment idealists of his own youth, the period of the American and French Revolutions, in particular the seminal figures of William Godwin and the Marquis de Condorcet. Both held that mankind was infinitely improvable and that a golden age of social justice, political harmony, equality, abundance, brotherhood, happiness, and altruism loomed imminently. Although sympathetic to social improvement, Malthus deemed these claims untenable and thought it necessary to debunk them.
If it were not for collectors England would be full, so to speak, of rare birds and wonderful butterflies, strange flowers and a thousand interesting things. But happily the collector prevents all that, either killing with his own hands or, by buying extravagantly, procuring people of the lower classes to kill such eccentricities as appear.
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Eccentricity, in fact, is immorality — think over it again if you do not think so now — just as eccentricity in one's way of thinking is madness (I defy you to find another definition that will fit all the cases of either); and if a species is rare it follows that it is not Fitted to Survive. The collector is after all merely like the foot soldier in the days of heavy armour-he leaves the combatants alone and cuts the throats of those who are overthrown. So one may go through England from end to end in the summer time and see only eight or ten commonplace wild flowers, and the commoner butterflies, and a dozen or so common birds, and never be offended by any breach of the monotony.
My arrangement of my shelves may earn me a reputation for untidiness among the unthinking, but I am indifferent to these. From natural laziness – if you like – from sheer inability to discover any congruity between one book and another – I will not classify. There they are – as they come – as they go – in serried shelves – all happy with the fortuity of things – there are my books from the lowest shelf – to reach which the seeker must go (as he ought) on bended knees – to "the dust and silence of the upper shelf," as Lord Macaulay put it – there they are – awaiting the touch of the discerning hand and the light of the critical eye.
The Bankrupt Bookseller by Will Y. Darling, Robert Grant & Son Ltd, Edinburgh, 1947, p. 28.
The pages of most books were of mottled parchment, that is, dried sheepskin, which was universally available—and nowhere more abundant than in Ireland, whose bright green fields still host each April an explosion of new white lambs. Vellum, or calfskin, which was more uniformly white when dried, was used more sparingly for the most honored texts.
The peaceful Indian Mussalman, descended beyond doubt from Hindu ancestors, was dressed up in the garb of a foreign barbarian, as a breaker of temples, and an eater of beef, and declared to be a military colonist in the land where he had lived for about thirty or forty centuries…. The result of it is seen in the communalistic atmosphere of India today.
Jesus! How much more of this cheap-jack bullshit can we be expected to take from that stupid little gunsel? Who gives a fuck if he's lonely and depressed down there in San Clemente? If there were any such thing as true justice in this world, his rancid carcass would be somewhere down around Easter Island right now, in the belly of a hammerhead shark.
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MALTHUSIAN, adj. Pertaining to Malthus and his doctrines. Malthus believed in artificially limiting population, but found that it could not be done by talking. One of the most practical exponents of the Malthusian idea was Herod of Judea, though all the famous soldiers have been of the same way of thinking.
Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature — these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name — that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots — all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series.
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