No. I’ve never even read a Le Carré novel, but I slept with a few in a bookcase behind my headboard. My mother was a Le Carré fan. I studied Graham G… - Sefi Atta

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No. I’ve never even read a Le Carré novel, but I slept with a few in a bookcase behind my headboard. My mother was a Le Carré fan. I studied Graham Greene’s The Power and the Glory when I was at school in England, which turned me into a fan of his prose. I realise my novel ventures into white male territory by playing with the idea of espionage and satirising high society. When you do that as an African woman writer, someone is bound to ask, “Why are you here? Have you lost your way? Do you know where you are going?” But I was raised by a woman whose experiences were not limited by her gender or nationality.

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About Sefi Atta

Sefi Atta (born January 1964) is a prize-winning Nigerian-American novelist, short-story writer, playwright and screenwriter. Her books have been translated into many languages, radio plays have been broadcast by the BBC, and her stage plays have been performed internationally. Awards she has received include the 2006 Wole Soyinka Prize for Literature in Africa and the 2009 Noma Award for Publishing in Africa.

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Additional quotes by Sefi Atta

The quotation is for those whom it may concern. Our country doesn’t work. We know that. We also know why. What we may not be ready to accept is that progress will continue to elude us so long as we follow trajectories that are alien to us, the most damaging of which are driven by unbridled capitalism. This is not to suggest that a return to our traditional systems is the way forward; I don’t idealise them in the novel.

When I was a child, I was called oniranu a lot at home because I poked fun at people I ought to respect. I was about six years old when I made up a song about a certain Lagos society woman. One line, I remember, said she had rashes, even though she didn’t. I’m still an oniranu at heart. I never grew out of it. In my play Lengths to Which We Go, which you’ve read, I have an aspiring character called Mrs. Babalola who calls herself upper “clarse”.

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