The moment I entered a subway car in New York City, I realized that there wasn't one English language but a multiplicity of them, or that the English… - Ilan Stavans

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The moment I entered a subway car in New York City, I realized that there wasn't one English language but a multiplicity of them, or that the English language was devouring all sorts of sounds that were coming from different regions in the world, and that some of those sounds could be mine. I could be devoured by the English language, or I could adapt myself, figure out what this language is and try to push it in, rearrange it from within. I think that is the journey that many immigrants feel. We come to the language. The language welcomes us. But we also realize at some point that if we abandon our own immigrant language and we just surrender, fully immerse ourselves in English, we will give up an essential part of who we are. And so it's a negotiation, a give and take. Either way, I feel enormously grateful to this beautiful, magnificent polyphonic language for its openness, its embrace, its capacity to recognize that the homogeneity is boring and that there are all sorts of ways of embracing it.

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About Ilan Stavans

Ilan Stavans (born Ilan Stavchansky, 1961) is a writer and academic who born in Mexico and now lives in the USA. He writes and speaks on American, Hispanic, and Jewish cultures.

Also Known As

Alternative Names: Ilan Stavchansky Slomianski

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My advice to young writers of personal essays is made of three steps: read, read, and read. Read what the classics have left for us: Montaigne, Sor Juana, Edmund Wilson, James Baldwin, Borges. Don’t only read them but read against them. Disagree and debate them. It is untrue that we write along with our contemporaries. Truth is, there is no present tense in literature: in the library, all books are together. I don’t write only for today’s readers. I write for the writers and readers of the past and of the future.

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