This is the confusion. Being Jewish. Being a lesbian. Being an American. It all converges. It is like feelings about one's parents. Love and embarras… - Irena Klepfisz

I feel a sense of urgency when it comes to Trump and his administration. I’m here today because I’m beginning to see what my parents saw in the 1930s in Europe. I always tried to imagined how it was like for them, but this is the first time in my life when I feel that I’m experiencing something similar. It has enormous echos for me. ‘America First’ is not substantially different from ‘Deutschland über Alles.’ One of the things that scares me is the global rise of right-wing movements in the United States, Europe and Israel. The American alt-right is in dialogue with similar movements in Israel, and this might pose a danger to both Israelis and Americans.

I do not accept the assumption that there exist two distinct Jewish worlds-progressive and mainstream (or traditional)—all of whose values and norms are always in conflict. My experience as a feminist and a lesbian is that the Jewish world we call progressive has been often as slow and reluctant to deal with feminist and gay issues as the mainstream Jewish world. Some advances have been made and many, though not all, Jewish progressives have reached the stage of paying obligatory lipservice and ensuring token representation at progressive events. But a clear-cut commitment to fighting sexism and homophobia and a dedication to gaining full rights for gays have not evoked the same passions which the struggles for rights of other minorities evoke. Most Jewish feminists and gays that I know remain angry and frustrated by Jewish progressives. Deeply committed to progressive causes, frequently in the vanguard of political action, Jewish feminists and gays find ourselves fighting for the rights of others without the secure knowledge that others will fight for us. Most of the time we fight sexist and heterosexist battles alone in both these worlds.

As a writer I still cherish poetry that tells a story, especially the dramatic monologue. I still value most a poetry that deals with people, especially those alienated and out of the mainstream-the overworked and dreamless, Third World, women, gay-a subdued, earnest poetry that expresses their feelings, their struggles, the conditions of their lives.