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" "With This Bridge comenzado a salir de las sombras; hemos comenzado a reventar rutina costumbres opresivas y a aventar los tabues; hemos comenzado a acarrear con orgullo la tarea de deshelar corazones y cambiar conciencias (we have begun to come out of the shadows; we have begun to break with routines and oppressive customs and to discard taboos; we have commenced to carry with pride the task of thawing hearts and changing consciousness). Mujeres, a no dejar que el peligro del viaje y la inmensidad del territorio nos asuste-a mirar hacia adelante y a abrir paso en el monte (Women, let's not let the danger of the journey and the vastness of the territory scare us-let's look forward and open paths in these woods). Caminante, no hay puentes, se hacen puentes al andar (Voyager, there are no bridges, one builds them as one walks).
Gloria Evangelina Anzaldúa (September 26, 1942 – May 15, 2004) was a Chicana lesbian feminist scholar of Chicana cultural theory, feminist theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza, on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.
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The soul uses everything to further its own making. … States which disrupt the smooth flow (complacency) of life are exactly what propel the soul to do its work: make soul, increase consciousness of itself. Our greatest disappointments and painful experiences—if we can make meaning out of them—can lead us toward becoming more of who we are.
I'm using the word nos/otras. Otras means other and nos means us, we. We don't have to keep using the oppositional language of the fathers. We were taught to write and think like these theorists. It's complicitous for somebody who is an "other" to be using "their" terms and "their" styles all the time. It's like fighting them with their own language. Audre Lorde said it very succinctly: "You cannot use the master's tools to dismantle the master's house.
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