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It takes a true writer to show us what has been missing in our lives. No one can give the writer an assignment that his own impulse has not bespoken but more than his security should inform him. "The pen," said Kafka to Janouch, "is not an instrument but an organ of the writer's."

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Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.

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...a writer has the duty to be good, not lousy; true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down. Writers do not merely reflect and interpret life, they inform and shape life.

Real writers are those who want to write, need to write, have to write.

A writer is a person who at a certain point in his life has found out that he is bothered by something which those around him seem to take in their stride. He finds out that here the usual modes of talk will not do, and he turns to investigate it the lonely way—on paper. It is doubtful if he is to find a solution to those pestering questions, but giving shape to his probings is itself a kind of solace. And then, something strange happens. The paper gets hold of him. It stimulates him, it becomes a meaning to itself. This person has passed a thin line into a new, a different world, to stay there forever. Forever, because not to obey this call now is tantamount to desertion, or still worse, to exile.

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The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

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<nowiki>[Kafka]</nowiki> taught me a lot about the normal and the abnormal, and the distance between them. [...] He's out there by himself. You get the jump in the feet when you read certain passages by him. That's the mark of truly great writing. It gives you the jump in the feet.

We write to expose the unexposed. Most human beings are dedicated to keeping that one door shut. But the writer's job is to see what's behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words - not just into any words but if we can, into rhythm and blues. You can't do this without discovering your own true voice, and you can't find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder.

A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them.

The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning further than the author himself can see or perceive.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

There is only one thing a writer can write about: what is in front of his senses at the moment of writing... I am a recording instrument... I do not presume to impose "story "plot" "continuity"... Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function... I am not an entertainer.

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