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Sci-fi was always understood to be politically based. It’s a way of setting up a political message in a format that people can digest. If you tell somebody “That person’s a liar,” they can say, “No, I saw him last week and I trust him.” But if you make them a reptile and give them the same information, they’ll say, “Yeah, he’s a reptile. They all lie.” That’s the great thing about sci-fi.

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One of the biggest roles of science fiction is to prepare people to accept the future without pain and to encourage a flexibility of mind. Politicians should read science fiction, not westerns and detective stories. Two-thirds of 2001 is realistic — hardware and technology — to establish background for the metaphysical, philosophical, and religious meanings later.

Science fiction, speculative fiction, whatever you want to call it, is one of the ways to explore social issues in fiction. You can explore what it's going to be like if current trends continue. You can change a variable and see what that does.

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Science fiction is a natural, in a way, for any kind of radical thought. Because it is about things that have not happened and do not happen. It's usually placed in the future, but not always. It's very fruitful if you want to present the concerns of any marginal group, because you are doing it in a world where things are different.

Science Fiction is the fiction of ideas. Ideas excite me, and as soon as I get excited, the adrenaline gets going and the next thing I know I’m borrowing energy from the ideas themselves. Science fiction is any idea that occurs in the head and doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.

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Science fiction is the search for a definition of mankind and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post-Gothic mode.

(Why science fiction?) Science fiction is the only genre that not only allows you to disregard everything that we're taught is realistic and practical, but actually demands that you do. So it allows us to move beyond the bounds of what is realistic and what is real, into the realm of the imagination, That is actually something that organizers do every single day.

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It is science fiction’s mission to broaden and deepen people’s minds. If someone on the way home from work at night pauses to look thoughtfully up at the stars for a while because of a sci-fi story they’ve read, then that work is a great success. Unfortunately, our current sci-fi is also benumbed to a considerable extent, and I see two possible reasons.
The first is conceptual. There’s an idea that sci-fi, like mainstream literature, is about relationships between people. This idea reduces the universe to nothing but a prop, a set piece, a supporting role. It cannot be denied that this idea has given rise to many excellent works, but sci-fi is at its strongest and most charming when it depicts the relationship between people and the universe. In sci-fi, the universe itself should be a protagonist, as much as any of its characters.

Science fiction is important because it fights the natural notion that there's something permanent about things the way they are right now.

Science Fiction is a collection of guerrilla bands each challenging the rights of the others to belong to the centrality. The band most challenged by the others is ‘high fantasy’, sometimes called ‘Sword and Sorcery’. There is a lot of stylized sneering at ‘S and S’.

Science fiction rarely is about scientists doing real science, in its slowness, its vagueness, the sort of tedious quality of getting out there and digging amongst rocks and then trying to convince people that what you're seeing justifies the conclusions you're making. The whole process of science is wildly under-represented in science fiction because it's not easy to write about. There are many facets of science that are almost exactly opposite of dramatic narrative. It's slow, tedious, inconclusive, it's hard to tell good guys from bad guys — it's everything that a normal hour of Star Trek is not.

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