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" "(What is the most amazing thing about life?) IK: That it persists despite its fragility. Everything sort of hangs by a hair's breadth and yet somehow it manages.... You hear such horrible stories about people's lives...war, abuse, poverty-that anybody survives is remarkable. Audre Lorde once said, "None of us were meant to survive." There's truth to that, and I remain amazed that so many of us do. It's extraordinary that we can even walk around and function in a minimal way, much less in a productive way. For whatever turmoil goes on internally with people and the pain that they experience at night in their dreams, they still manage somehow to construct lives during the day which are meaningful to other people and to themselves.
Irena Klepfisz (born April 17, 1941) is a Jewish lesbian feminist author, poet, academic and activist living in the US.
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I am also angry that Jews have somehow, during this process, gotten stuck—I'm not sure if that's the right word, but I don't know how else to express it. They have been unable to absorb the experience of the Holocaust, have not learned how to transcend the catastrophe. They've mistakenly thought that to transcend means to forget the past, that to think about the present is to abandon the past. That too is a painful mistake, a grave mistake for Jews in America, because it's kept many of them from universalizing their experience, from joining with others who have experienced oppression—not perhaps an exact duplication of Jewish oppression, but nevertheless oppression.
I think Yiddish is something the Ashkenazi Jews really turn to to help them define themselves in terms that existed before the war rather than in relationship to the Holocaust or Israel. They're pointing to the issues of language and what language can express and mean and especially if it's a language that is a national language. I think writers have an important function here, and I think some of them are accepting it. (GP: Writing in Yiddish?) IK: Well, at least talking about Yiddish or using a little bit of Yiddish even to make their English less mainstream, to make their English more Jewish. People are beginning to study. I think these small steps are significant. (GP: So in some way you're memorializing that tradition.) IK: I'm hoping that I'm not so much memorializing it as taking it into the present…Through my writing and through encouraging other people-not just writers. I want to "activate it," so that Jews will feel that they're connected to this culture, that they can claim it as their legacy, their heritage. It's what shaped their parents-well, at this point, I'd have to say their Eastern European grandparents and ancestors.