Within the context of the late 1970s utterly white-middleclass-dominated genre of feminist writings (mediated by white instructors), Bridge was the l… - Cherríe Moraga

What drew me to politics was my love of women, the agony I felt in observing the straight-jackets of poverty and repression I saw in my own family. But the deepest political tragedy I have experienced is how with such grace, such blind faith, this commitment to women in the feminist movement grew to be exclusive and reactionary. I call my white sisters on this. I have had enough of this. And I am involved in this book because more than anything else I need to feel enlivened again in a movement that can finally, as my friend Amber Hollibaugh states, 'ask the right questions and admit to not having all the answers.'

After publishing Loving in the War Years (1983) which was very autobiographical, my own story had finally been told on the page. This allowed space within me for character (some one other than myself to enter) my unconscious…

I think: what is my responsibility to my roots-both white and brown, Spanish-speaking and English? I am a woman with a foot in both worlds; and I refuse the split. I feel the necessity for dialogue. Sometimes I feel it urgently