The relationship we develop with a classic is like a lifelong friendship: it goes through ups and downs. Whenever we reopen the book, we are differen… - Ilan Stavans

An accessible language is a language that is beautiful. It is a language of understanding, not of pretension. To be accessible is to write not from Mount Sinai but from below, where the people are. The critic has the exact same words (in English, there are close to a million, according to the editors of the OED) available to write poetry, fiction, theater, autobiography, et cetera.

narrative is narrative: it needs to entertain, to illustrate, to enlighten. We live by and through narratives because we have an insatiable desire to comprehend our circumstances, to share its basic tenets with others, and to appreciate how others tell their own tales. I don’t like the abyss our civilization has built between fiction and criticism. In my view, they are sides of the same phenomenon. I live, I let myself live, in the connection between these sides. All essays are personal — either we recognize it or not — just as all fiction is autobiographical (and all autobiography is fiction). I love the personal essay. It triggers something instinctual in me: to use the “I” as a Virgil, to elucidate what I see, what I think, what I conceive in ways that aren’t for me alone but for everyone.

In Mexico, I was a Jew. In the U.S., I became a Mexican, but all these dichotomies helped me to see that you can be an outsider and an insider simultaneously. You become a member of another minority, but not fully. Here I'm a Mexican in the U.S. I'm a Latino. I'm a Jew. I'm an American.