The relationship we develop with a classic is like a lifelong friendship: it goes through ups and downs. Whenever we reopen the book, we are differen… - Ilan Stavans

The moment I entered a subway car in New York City, I realized that there wasn't one English language but a multiplicity of them, or that the English language was devouring all sorts of sounds that were coming from different regions in the world, and that some of those sounds could be mine. I could be devoured by the English language, or I could adapt myself, figure out what this language is and try to push it in, rearrange it from within. I think that is the journey that many immigrants feel. We come to the language. The language welcomes us. But we also realize at some point that if we abandon our own immigrant language and we just surrender, fully immerse ourselves in English, we will give up an essential part of who we are. And so it's a negotiation, a give and take. Either way, I feel enormously grateful to this beautiful, magnificent polyphonic language for its openness, its embrace, its capacity to recognize that the homogeneity is boring and that there are all sorts of ways of embracing it.

Du Bois, in The Souls of Black Folk, argued that the theme of the twentieth century was the color line. In my view, the theme of the twenty-first century is immigration. Everything rotates around it: climate change, Covid-19, populism from Trump to other “aspirational” dictators, global finance, etc.

What I want people to engage in, and people already do so, is not only in what others are telling us and what we're telling the others, but in the music that we engage in when we speak. And where that music comes from, language is character, is individual character, is collective character. Language is history too...When we're listening to somebody who doesn't speak exactly like us, it's easy to demonize them, to think that they are less worthy than us. But in the end, we come from that background. We come from others that didn't have the language that we have today. And if we can see the versions, the iterations of the past, in those words, in that music, I think we're going to be more sensitive, compassionate and humble.