Autumn! Autumn! The Alexandrine epoch of the year, gathering into its enormous libraries all the sterile wisdom of the three hundred and sixty-five d… - Bruno Schulz

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Autumn! Autumn! The Alexandrine epoch of the year, gathering into its enormous libraries all the sterile wisdom of the three hundred and sixty-five days of the solar cycle! Oh, those aged mornings, as yellow as parchment, sweet with wisdom, like late evenings. Oh, those cunningly smiling mornings, like shrewd palimpsests, many-layered like old, yellowed books. Oh, the autumnal day, that old jester-librarian clambering up ladders in his slipped-down dressing gown, sampling the preserves of all ages and cultures!

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About Bruno Schulz

Bruno Schulz (July 12, 1892 – November 19, 1942) was a Polish writer and artist, considered by some to be the greatest prose stylist of the modern Polish language.

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All springs begin in this way, from those enormous and astounding horoscopes, each beyond the scale of a single season of the year. And in each one—be it nevermore said, let me say it here—there is everything: endless processions and demonstrations, revolutions and barricades. And through them all at a certain moment, the hot wind of remembrance blows, that boundlessness of sadness and intoxication seeking in vain its counterpart in reality.

Sometimes, a whole bright day passes in explosions of the sun, in accumulations of clouds encircled by redness at their edges, luminously and chromatically, breaking off at every edge. People go about stupefied by the light, their eyes closed, exploding inwardly with rockets, Roman candles and powder-kegs. But later, toward evening, that hurricane fire of light softens. The horizon grows rotund, beautiful, and full of azure, like a glass ball in a garden with its miniature and illuminated panorama of the world, in a happily ordered composition, above which the clouds are arranged, its conclusive toppings, unfolding in a long row like rouleaux of golden medals, or peals of bells combining in rosy litanies.

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For ordinary books are like meteors; each has its moment, that instant when it flies shrieking into the air, like a phoenix, all of its pages ablaze. For that moment, that single instant, we love them; although they are mere ashes by then. Sometimes, late at night, we wander in bitter resignation through their congealed pages, whilst they go on insisting, with their wooden clattering, like a rosary, on their dead formulæ.

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