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At some point in my life I realized I knew only celebrities, I didn't know any real people. I think it was a master stroke of Fate that in researching the greatest celebrity of them all, I would at last be meeting real people, finding them more extraordinary than celebrities; fascinated by them all and enjoying enduring friendships with some.

What about the press generally? Standard and tabloid, vulgar and obscene, the papers run rumors daily about people in show business, tales of wicked ways and witless affairs, inanity and misbehavior. Reporters develop these stories from tips and yarns they pick up, or buy, in hallways, parking lots, costume and makeup rooms, bars and toilets. They also reprint "releases" from press agents, although release stuff is always laudatory, tepid and bland. Army Archerd at Variety is the only columnist I know who checks his tips and rumors by making personal phone calls. He is a respectable reporter and commentator, and his specialty is straight news from authentic sources. In the main, show-biz buzz-artists, discovering that celebrities are dull, not vivacious and absorbing, do not hesitate to rush misinformation into print, usually adding a soupcon of scandal. Some celebs, being witless, are not disturbed; they are getting the publicity they crave, and if it causes the world to marvel at them, their hearts are glad.
Not all celebrities are dunces. Many get upset when misrepresented, misinterpreted and misquoted, but their anger gets them nowhere. The eminent hournalists who wronged them assume a posture of plumb disbelief. The ungrateful staggering wounded are actually complaining about valuable publicity!

We are like books. Most people only see our cover, the minority read only the introduction, many people believe the critics. Few will know our content

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Strike had always marvelled at the strange sanctity conferred upon celebrities by the public, even while the newspapers denigrated, hunted or hounded them. No matter how many famous people were convicted of rape or murder, still the belief persisted, almost pagan in its intensity: not him. It couldn't be him. He's famous.

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Everything I've learned in life I've learned either by doing it or watching the changes other people go through. And when you're famous, you don't get to meet people — because they want you to like them when they present themselves to you, present the best sides of themselves, and you don't see the real people. Which is why I don't really go anywhere. And when I do, I put on my silly face and do what they expect me to do. Actually, I never do what they expect me to do. It's the only way I could go on doing what I have to do. I do whatever I… you know, I didn't even comb my hair today. I didn't know we were taking pictures but when I found out, it didn't change my mind any.

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends.
Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.

I think people tend to forget that as celebrities we are still human. We have the same emotions - we cry, we have fun, we laugh, we get sad, and we get hurt. When something is written about you, which millions of people are reading, and it is not true, imagine how hurtful it can be.

We try to make our celebrities stand in for the heroes we no longer have, or for those who have been pushed out of our view... Yet the celebrity is usually nothing greater than a more-publicized version of us. In imitating him, in trying to dress like him, talk like him, look like him, think like him, we are simply imitating ourselves.

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