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Distinguished and well-known musicians (kalawantan) and reciters of mystics’ verses (qawwals), who were in the service of the court, were ordered to desist from music and their mansabs increased. General orders were given for the prohibition of music and dancing. It is said that one day musicians collected together in a large crowd with great noise and tumult, prepared a bier with great dignity and carried it to the foot of the Jaroka Darshan, wailing in front of and behind the bier. When the matter was reported to Aurangzeb, he inquired about the funeral. The musicians said ‘Music (rag) is dead; we are going to bury it.’ ‘Bury it so deep under the earth’ Aurangzeb remarked, ‘that no sound or echo of it may rise again.

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Not resting content with the above orders [prohibiting alcohol, drugs, long beards, etc.], Aurangzeb. . .ordered the same official [the muhtasib14 ] to stop music. If in any house or elsewhere he heard the sound of singing and instruments, he should forthwith hasten there and arrest as many as he could, breaking the instruments. Thus was caused a great destruction of musical instruments. Finding themselves in this difficulty, their large earnings likely to cease, without there being any other mode of seeking a livelihood, the musicians took counsel together and tried to appease the king in the following way: About one thousand of them assembled on a Friday when Aurangzeb was going to the mosque. They came out with over twenty highly-ornamented biers, as is the custom of the country, crying aloud with great grief and many signs of feeling, as if they were escorting to the grave some distinguished defunct. From afar Aurangzeb saw this multitude and heard their great weeping and lamentation, and, wondering, sent to know the cause of so much sorrow. The musicians redoubled their outcry and their tears, fancying the king would take compassion upon them. Lamenting, they replied with sobs that the king’s orders had killed Music, therefore they were bearing her to the grave. Report was made to the king, who quite calmly remarked that they should pray for the soul of Music, and see that she was thoroughly well buried. In spite of this, the nobles did not cease to listen to songs in secret. This strictness was enforced in the principal cities.

In the home of this music, alas, religious fanatics have lately started killing the musicians. They think the music is an insult to god, who gave us voices but does not wish us to sing, who gave us free will, rai, but prefers us not to be free.

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The Qur’an has been around for over 1500 years and has been embraced by individuals from countries all over the world. This has resulted in many opinions about how it should be interpreted. A small number of people who follow the Qur’an — primarily in places like North America, The United Kingdom, Arabia and South Africa — hold the view that musical instruments are “unlawful”. Living in North America, I thought it was best to keep instruments out of my CDs so families would feel comfortable listening to the songs. 10 years and almost 12 albums later, I felt it was important to be more honest with myself about my own personal opinions of music and its usefulness. There are also the majority of followers of Qur’an who don’t have a problem with music and who do not consider it as unlawful, thus I felt it was important to share something of value with them as well through some newer music and songs.

Another illustration of this spirit of exploitation is furnished by the Muslim insistence upon cow-slaughter and the stoppage of music before mosques. Islamic law does not insist upon the slaughter of the cow for sacrificial purposes and no Musalman, when he goes to Haj, sacrifices the cow in Mecca or Medina. But in India they will not be content with the sacrifice of any other animal. Music may be played before a mosque in all Muslim countries without any objection. Even in Afghanistan, which is not a secularized country, no objection is taken to music before a mosque. But in India the Musalmans must insist upon its stoppage for no other reason except that the Hindus claim a right to it.

Alas for those that never sing, But die with all their music in them!

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I met a girl who sang the blues And I asked her for some happy news But she just smiled and turned away I went down to the sacred store Where I'd heard the music years before But the man there said the music woudn't play And in the streets the children screamed The lovers cried, and the poets dreamed But not a word was spoken The church bells all were broken
And the three men I admire most The Father, Son and the Holy Ghost They caught the last train for the coast The day the music died.

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And when my spirit wants no stimulus or nourishment save music, I know it is to be sought in cemeteries: the musicians hide in the tombs; from grave to grave flute trills, harp chords answer one another.

[the Emperor Aurangzeb] ‚abolished rÁhdÁri and pÁndÁri which brought lacs of revenue to the government every year …. and forbade the collection of proceeds from the bÁzÁrs held during Urs and JÁtrÁ of infidels who used to congregate in lacs once a year at their temples and used to sell and purchase goods …‛

At Allahabad, on the celebration of the Mohurrum, some of the leading persons repaired to the judge to request that the Hindoos, who were about to perform some of their idolatrous worship, should not be permitted to blow their trumpets, and beat their drums, and bring their heathenish devices in contact with the sad and holy solemnity, the manifestations of their grief for the death of the Imaums. They represented, in the most lively manner, the obligation which Christians were under to support the worshippers of the true God against infidels, and were not satisfied with the assurance that they should not be molested by the intermixture of the processions, which should be strictly confined to opposite sides of the city. The Hindoos were equally tenacious in upholding their rights, and it became neceuary to draw out the troopa for the prevention of bloodshed.

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If music is bad then why has it reached such heights? Why does music make me to soar towards heaven? The religion of music is one; all other are different. I tell the Mullas that this is the only haqeeqat (reality). This is my world. My Namaaz is the seven ‘sudh’ [pure] and five ‘komal’ [soft] surs.

Most people go to their grave with their music inside them.

On the plantations the slave owners would take their slaves’ drums away because they didn’t want them communicating with other slaves. They were afraid that the drum was some kind of magic signal system, a primal, coded language, which it was. And is. When the drums were taken away, other instruments were taken up — fifes and fiddles and the rest, and they were used for celebration and lamentation both, and a new kind of song sprung up, a work song, to document the labor in the fields, to pass the time, to pass on the content of the time, so that people would know what had happened.

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