And although it was in a hospital that she lay and I sat next to her — it is always that eternal poetry of Christmas night with the infant in the sta… - Vincent van Gogh

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And although it was in a hospital that she lay and I sat next to her — it is always that eternal poetry of Christmas night with the infant in the stable, as the old Dutch painters conceived it and MIllet and Breton — a light in the darkness, the brightness in the middle of a dark night. And so I hung a large etching after Rembrandt over it, the two women by the cradle, one of them reading from the Bible by candlelight, while the great shadows cast a deep chiaroscuro over the whole room.

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About Vincent van Gogh

Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.

Biography information from Wikiquote

Also Known As

Alternative Names: Vincent Willem van Gogh van Gogh
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Additional quotes by Vincent van Gogh

Baharda çilek yemek, evet, olur böyle şeyler yaşamda, ama yılın çok kısa bir bölümünde yalnızca ve şu sıra çok uzakta.

It must be good to die in the knowledge that one has done some truthful work and to know that, as a result, one will live in the memory of at least a few and leave a good example for those who come after. A work that is good may not last forever, but the thought expressed by it will, and the work itself will surely survive for a very long time, and those who come later can do no better than follow in the footsteps of such predecessors and copy their example.

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Poor Gauguin has no luck. I am very much afraid that in his case convalescence will last even longer than the fortnight which he has had to spend in bed. My God! Shall we ever see a generation of artists with healthy bodies! Sometimes I am perfectly furious with myself, for it isn’t good enough to be either more or less ill than the rest; the ideal would be a constitution tough enough to live till eighty, and besides that, blood in one’s veins that would be right good blood. It would be some comfort, however, if one could think that a generation of more fortunate artists was to come.

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