On the platform a group of peasants were standing in military formation five soldiers armed with rifles guarding them. There were men and women, each… - Malcolm Muggeridge

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On the platform a group of peasants were standing in military formation five soldiers armed with rifles guarding them. There were men and women, each carrying a bundle. Somehow, lining them up in military formation made the thing grotesque—wretched looking peasants, half-starved, tattered clothes, frightened faces, standing to attention. These may be kulaks, I thought, but if so they have made a mighty poor thing of exploiting their fellows. I hung about looking on curiously, wanting to ask where they were to be sent—to the north to cut timber, somewhere else to dig canals—until one of the guards told me sharply to take myself off.

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About Malcolm Muggeridge

Thomas Malcolm Muggeridge (24 March 1903 – 14 November 1990) was a British journalist, author, satirist, media personality, soldier, spy and Christian scholar.

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Alternative Names: Thomas Malcolm Muggeridge
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Additional quotes by Malcolm Muggeridge

We foreign journalists in Moscow used to amuse ourselves, as a matter of fact, by competing with one another as to who could wish upon one of these intelligentsia visitors to the USSR the most outrageous fantasy…One story I floated myself, for which I received considerable acclaim, was that the huge queues outside food shops came about because the Soviet workers were so ardent in building Socialism that they just wouldn't rest, and the only way the government could get them to rest for even two or three hours was organizing a queue for them to stand in. I laugh at it all now, but at the time you can imagine what a shock it was to someone like myself, who had been brought up to regard liberal intellectuals as the samurai, the absolute elite, of the human race, to find that they could be taken in by deceptions which a half-witted boy would see through in an instant…I could never henceforth regard the intelligentsia as other than credulous fools who nonetheless became the media's prophetic voices, their heirs and successors remaining so still.

A scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!”. I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.

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