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" "So my work is actually a response to the idea, like if you read my short story "Nada"-my mother's generation always had this idealized concept of the island as home and the only place where you could really be happy, like, "Oh, we were poor there, but at least we had the sun, or we had this and all this." Of course, I went back year after year, and of course I saw the sun, and it is a gorgeous island, but life was hard, difficult. So actually I don't have a nostalgic yearning for the island. I write about the dream of the island as opposed to the reality of the island.
Judith Ortiz Cofer (February 24, 1952 – December 30, 2016) was a Puerto Rican writer. Her critically acclaimed and award-winning work spans a range of literary genres including poetry, short stories, autobiography, essays, and young-adult fiction. Ortiz Cofer was the Emeritus Regents' and Franklin Professor of English and Creative Writing at the University of Georgia, where she taught undergraduate and graduate creative writing workshops for 26 years. In 2010, Ortiz Cofer was inducted into the Georgia Writers Hall of Fame, and in 2013, she won the University's 2014 Southeastern Conference Faculty Achievement Award.
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what's the difference between regional being the Southwest and regional being the South if the story is brilliant enough to be universal? Does it matter that Faulkner's universe was little? When he finished Absalom, Absalom, it wasn't about Mississippi; it was about the cosmos. So if a book like that is written by a Puerto Rican or a Native American, why should it continue to be taught as ethnic literature?