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" "Those devoted to the study of Latin American poetry can identify the names of poets such as Vicente Huidobro, Pablo Neruda, and César Vallejo, all twentieth century male poets. It is only because she won the Nobel Prize for Literature in 1945 that Gabriela Mistral's voice is not ignored. Male critics have often ascribed the poetry of women such as Mistral to the ideology that they represent; at other times, they have simply denied or ignored the literary production of women. The poetry of these women, created in patriarchal societies, has not achieved recognition within the canon of contemporary literature. In general, anthologies of Latin American poetry include very few women.
Marjorie Agosín (born June 15, 1955) is a Chilean-American writer.
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I don't by any ways believe that we are the chosen people—but what is so amazing is how we have blossomed in the diaspora and that we are still here as a people in spite of centuries of discrimination and genocide, even from the expulsion of Spain or even before the destruction of the second temple. And I think what has kept the Jews together is the idea of home and the idea of memory, which is the ideas that I write about: home as an inner center, and memory as giving voice to the invisible and becoming a witness.
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The words, such ample, respectable ladies, were fraught with the possibility of love beyond diminutives. I never stopped writing in Spanish because I could not abandon my essence, the fragile, divine core of my being. It would have meant becoming someone else, frequenting sadness, losing a soul and all the butterflies. I always spoke Spanish, even in my most solemn dreams. I did not want to translate myself.